The First and Lowest Operation of Pain: C.S. Lewis and His Image of ‘God’s Megaphone’ for Human Suffering

Q3 Arts and Humanities
A. Smilde
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引用次数: 0

Abstract

C.S. Lewis’s metaphor of ‘God’s megaphone’, an image he employed to illustrate an idea about human suffering, appears at a certain stage of his argument in the central chapter (ch. 6) of his first work of popular theology, The Problem of Pain (1940). Among the numerous images invoked throughout his writings, none perhaps is more widely known than this. From the earliest book-length study of Lewis (1949) onward, numerous quotations, allusions, and discussions that include the image of the megaphone can be found in the literature on Lewis and elsewhere; in 1957 the Dutch translation of Lewis’s book was published under the title Gods megafoon. While it would take a comprehensive reception history of The Problem of Pain for any definitive claims to be possible, the history of the ‘megaphone’ as cited in the literature suggests that this image has dominated perceptions of the book’s overall argument. The present essay will attempt to show that this dominance is a fact, and argues that this dominance finds no support in Lewis’s original argument.
痛苦的最初和最低运作:C.S. Lewis 及其对人类痛苦的 "上帝扩音器 "形象
路易斯(C.S. Lewis)在其第一部通俗神学著作《痛苦的问题》(1940 年)的中心章节(第 6 章)中,在论证的某一阶段使用了 "上帝的扩音器 "这一隐喻,他用这一形象来说明有关人类痛苦的观点。在他著作中引用的众多形象中,也许没有一个比这更广为人知。从最早的关于刘易斯的长篇研究(1949 年)开始,在关于刘易斯的文献和其他文献中可以找到大量包含扩音器形象的引文、典故和讨论;1957 年,刘易斯著作的荷兰语译本以 Gods megafoon 为题出版。虽然要对《痛苦的问题》的接受史进行全面的研究才能得出明确的结论,但文献中引用的 "传声筒 "的历史表明,这一形象主导了人们对该书整体论点的看法。本文将试图说明这种主导地位是事实,并论证这种主导地位在刘易斯的原始论点中找不到支持。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Inklings Studies
Journal of Inklings Studies Arts and Humanities-Literature and Literary Theory
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