From Yosemite to the Cold War: Decomposing Settler Mythologies in the Asian American Outdoors

Heidi Amin-Hong
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Abstract

Abstract:In a moment of rising East Asian global tourism and heightened anti-Asian violence in public space, what does it mean for Asian bodies to see and be seen in the outdoors? Analyzing Dinh Q. Le's daguerreotypes of Yosemite alongside C. Pam Zhang's novel How Much of These Hills is Gold, this article traces an emerging archive of contemporary Asian American literature and visual art that imagines Asian American entanglements with the fraught settler racial histories of US national parks. The article outlines decomposition as a reading practice to propose new ways to read Asian American presence in the environment that do not rely on the recovery or reenactment of settler mythologies of vacant land. Rather, I posit an Asian Americanist ecological approach that turns toward the materialist histories of more-than-human landscapes to reckon with the charged presence of Asian Americans in unceded Native lands. Ultimately, this article illuminates understandings of Asian American relationships to land that further attend to the obscured militarized and settler colonial conditions shaping these environmental relations.
从优胜美地到冷战:分解亚裔美国户外运动中的定居者神话
摘要:在东亚全球旅游业兴起和公共空间反亚洲暴力加剧的时刻,亚洲人在户外观看和被观看意味着什么?本文分析了Dinh Q. Le的优胜美地达盖尔原型和C. Pam Zhang的小说《How Much of These Hills is Gold》,追溯了当代亚裔美国人文学和视觉艺术的新兴档案,想象了亚裔美国人与美国国家公园充满争议的定居者种族历史之间的纠葛。文章概述了分解作为一种阅读实践,提出了阅读亚裔美国人在环境中存在的新方法,这种方法并不依赖于恢复或重演关于空地的定居者神话。相反,我提出了一种亚裔美国人主义生态学方法,转向超人类景观的唯物主义历史,以探讨亚裔美国人在未受保护的原住民土地上的重要存在。最终,本文阐明了对亚裔美国人与土地关系的理解,进一步关注了形成这些环境关系的被掩盖的军事化和殖民定居条件。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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