Sketching as an external representation of thinking results and processes in education

Q3 Arts and Humanities
Austra Avotiņa, Inguna Karlsone, Māra Urdziņa-Deruma, Austra Celmiņa-Ķeirāne
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Abstract

In recent decades, there has been a growing interest in the role of sketching in the fields of art, design and architecture, as well as education more generally. Sketching can play a unique role in promoting effective learning by helping to represent both concrete and abstract spatial relationships. This study aims to determine whether sketching is an advisable tool for expressing the results of human thinking in different situations of professional life, not only in art and design education but much more widely. The article uses an analytical examination of empirical material collected from eight interviews with experts to answer the following research questions: (1) is sketching an activity that can be classified as a mundane, methodical design-thinking technique? (2) Is sketching a hands-on exercise, necessary for a sense of freedom in the process of fixing thought, aimed at finding a creative solution in every new situation? and (3) should sketching be part of the educational process in all areas of teaching and science? The analytical findings offer a critical perspective and argue that sketching is a recommended and valuable tool for expressing the results of human creative thinking in different situations of professional life. The widespread impact of new digital technologies on the visualization of ideas compared to older, analogue visualization methods, as well as the increasing influence of artificial intelligence, creates a challenge to raise awareness of the need to use sketching in the educational process so that students can understand the role and importance of sketching in the creative and cognitive process as an essential tool for capturing thinking outcomes.
素描是教育中思维成果和过程的外在表现形式
近几十年来,人们对素描在艺术、设计和建筑领域以及更广泛的教育领域的作用越来越感兴趣。素描可以帮助表现具体和抽象的空间关系,在促进有效学习方面发挥独特的作用。本研究旨在确定素描是否是在专业生活的不同情境中表达人类思维成果的可取工具,不仅在艺术和设计教育领域,在更广泛的领域也是如此。文章通过对从八次专家访谈中收集到的实证材料进行分析研究,回答了以下研究问题:(1) 素描是否是一种可以归类为世俗的、有条不紊的设计思维技巧的活动?(2) 草图是否是一种实践活动,是在固定思维过程中获得自由感所必需的,目的是在每一种新情况下找到创造性的解决方案?分析结果提供了一个批判性的视角,并认为素描是一种值得推荐的宝贵工具,可以在职业生活的不同情境中表达人类创造性思维的成果。与老式的模拟可视化方法相比,新的数字技术对创意的可视化产生了广泛的影响,而且人工智能的影响也越来越大,这对提高在教育过程中使用素描的必要性的认识提出了挑战,从而使学生能够理解素描作为获取思维成果的重要工具在创意和认知过程中的作用和重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Drawing: Research, Theory, Practice
Drawing: Research, Theory, Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.40
自引率
0.00%
发文量
11
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