“Horse and Rider He Threw into the Sea” (Exod 15:1)

Albert C. Geljon
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Abstract

This article examines the use of the horse as an image of the body and of passion in the Alexandrian theological tradition. It started with Philo, who regarded the horse as a symbol of passion. Clement and Origen adopted the Philonic interpretation. Origen, who exploited the image most, saw the horse as representing the body, bodily things, irrational passions and desires of the flesh. Finally, following in Origen’s footsteps, Didymus also interpreted the horse as a figure of the body. In addition, both Origen and Didymus distinguished between the image of the horseman and that of the rider, following the example of a predecessor, whom they did not mention by name: Philo.
"他把马和骑马的投在海里"(出埃及记 15:1)
本文探讨了亚历山大神学传统中将马作为身体和激情的形象。文章始于斐洛,他认为马是激情的象征。克莱门特和奥利采用了斐洛的解释。奥利对这一形象利用最多,他认为马代表身体、身体的事物、非理性的激情和肉体的欲望。最后,跟随奥利的脚步,迪迪莫斯也将马解释为身体的形象。此外,奥利和迪迪莫斯都效仿一位前辈,将骑士和骑手的形象区分开来,但他们都没有提到这位前辈的名字:斐洛。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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