Unveiling Gender Stereotypes: A Feminist Reading of the Film Bhumika

Sweta Kumari, Prof. (Dr.) Neeraj Kumar
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Abstract

The present research paper is a feminist exploration of the critically acclaimed Hindi film, Bhumika (1977), set against the backdrop of Indian film industry, directed by Shyam Benegal, starring Smita Patil, Amol Palekar, Anant Nag, Naseeruddin Shah and Amrish Puri. The purpose of this study is to unveil gender stereotypes through the film narrative Bhumika from the feminist perspective. Besides, it delves mainly into the life and struggle of the female protagonist and a celebrated actress, Usha, who searches for her identity in a patriarchal realm. Hence, in the film Bhumika, Usha’s journey projects societal confinement and oppression as her image is an embodiment of her struggles against gender roles, showcasing how women were often silenced and how they were limited to their choices. Though, her narrative reflects the need for women’s empowerment in such a male chauvinistic world. With an application of feminist theories, the paper unearths how the film Bhumika is evident for both to reflect and to challenge the existing traditional gender norms in Indian Society. Apart from these, it examines Usha’s journey in terms of power and sexuality, highlighting her multifaceted role as a lens to investigate broader social causes. Thus, the findings of the study help for a better understanding of the intersection of cinema, gender, and society across the world highlighting the role of cinema as a medium for feminist discourse and social critique.
揭开性别陈规定型观念的面纱:电影《布米卡》的女性主义解读
本研究论文是对备受赞誉的印地语电影《布米卡》(1977 年)的女性主义探讨,该片以印度电影业为背景,由希亚姆-贝内加尔(Shyam Benegal)执导,斯密塔-帕蒂尔(Smita Patil)、阿莫尔-帕莱卡(Amol Palekar)、阿南特-纳格(Anant Nag)、纳瑟鲁丁-沙(Naseeruddin Shah)和阿姆里什-普里(Amrish Puri)主演。本研究旨在从女性主义视角出发,通过电影叙事《布米卡》揭示性别陈规定型观念。此外,本研究主要深入探讨了女主角、著名演员乌莎在父权制领域中寻求自我认同的生活和奋斗历程。因此,在影片《布米卡》中,乌莎的人生历程投射了社会的禁锢和压迫,她的形象体现了她对性别角色的抗争,展示了女性如何经常被压制,以及她们的选择如何受到限制。尽管如此,她的叙述反映了在这样一个大男子主义的世界里,妇女赋权的必要性。本文运用女性主义理论,揭示了电影《布米卡》是如何反映和挑战印度社会现有的传统性别规范的。除此以外,论文还从权力和性的角度研究了 Usha 的心路历程,强调了她的多面性,并以此为视角探讨了更广泛的社会原因。因此,研究结果有助于更好地理解世界各地电影、性别和社会的交叉点,突出了电影作为女权话语和社会批判媒介的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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