Social and Sexual Exploitation of Women in Vijay Tendulkar’s Sakharam Binder

Dr. Neetu Kumar
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Abstract

Vijay Tendulkar's dramatic piece, Sakharam Binder, stands out as a critical examination of the sociocultural paradigms that perpetuate the exploitation of women. This article delves into the multiple layers of oppression and discrimination faced by the female protagonists and situates the play within the broader context of postcolonial Indian society. Tendulkar, through his audacious characters and narratives, throws light on the deep-rooted patriarchal norms that dictate female subjugation. The central figure, Sakharam Binder, is both a product and propagator of these entrenched societal beliefs. As a man who provides shelter to destitute women in exchange for domestic and sexual services, Sakharam becomes the embodiment of male entitlement and dominance. The women in his life, including Laxmi and Champa, become representative of the countless women whose identities are stifled by a male-centric worldview. Laxmi, the submissive, and Champa, the defiant, are instrumental in demonstrating the spectrum of female experiences under the weight of patriarchal constructs. While Laxmi's meek surrender highlights the internalization of patriarchal values, Champa’s rebellion underscores the dire consequences women face when challenging the status quo. Tendulkar masterfully juxtaposes these characters to critique the ways in which society polices and punishes deviance from gendered expectations. The spatial dynamics within Sakharam's house serve as a potent metaphor for the wider societal space where women are confined, controlled, and commodified. The narrative underscores how economic dependency and cultural conditioning become tools of subjugation, forcing women into cycles of exploitation. Tendulkar’s sharp, unflinching portrayal of the social and sexual exploitation of women demands introspection and reform, making the play a significant contribution to postcolonial Indian literature and feminist discourse. The play provides the various themes and concerns related the middle-class psyche.
维贾伊-坦杜尔卡尔的《萨哈拉姆-宾德》中对妇女的社会剥削和性剥削
Vijay Tendulkar 的戏剧作品《Sakharam Binder》是对长期剥削妇女的社会文化范式的批判性审视。本文深入探讨了女主角所面临的多层压迫和歧视,并将该剧置于印度后殖民社会的大背景下。坦杜卡尔通过其大胆的人物形象和叙事,揭示了根深蒂固的父权制规范对女性的压迫。中心人物萨哈拉姆-宾德既是这些根深蒂固的社会观念的产物,也是它们的传播者。作为一个为赤贫妇女提供住所以换取家政服务和性服务的男人,萨哈拉姆成为男性权利和支配地位的化身。他生活中的女性,包括拉克希米和占婆,成为无数女性的代表,她们的身份被以男性为中心的世界观所扼杀。拉克希米是顺从者,占婆是反抗者,她们在父权制的重压下展示了女性的各种经历。拉克希米的温顺屈服凸显了父权价值观的内在化,而 Champa 的反抗则强调了女性在挑战现状时所面临的可怕后果。坦杜卡尔巧妙地将这些人物并列在一起,批判了社会对偏离性别期望的行为进行管理和惩罚的方式。萨哈拉姆家中的空间动态是一个有力的隐喻,隐喻了妇女被禁锢、控制和商品化的更广阔的社会空间。叙事强调了经济依赖和文化条件如何成为征服的工具,迫使妇女陷入被剥削的循环。坦杜卡尔对妇女遭受的社会剥削和性剥削进行了尖锐、毫不留情的描写,要求人们进行反思和改革,使该剧成为对印度后殖民文学和女权主义论述的重要贡献。该剧提供了与中产阶级心理有关的各种主题和关注点。
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