visual methods for desire and wonder in the digital heritage

IF 0.9 2区 社会学 Q3 WOMENS STUDIES
Karin Hansson
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引用次数: 0

Abstract

The digitalisation of cultural heritage creates expectations for improved research methods and more diverse and inclusive memory institutions. However, it is difficult to take advantage of the opportunities the quantification might give owing to deficient and inadequate metadata. The diversity of standards and wilfulness in different historical archive practices creates problems when aggregating data from various sources. The ambition to create more diverse and inclusive memory institutions, compensating for the historical lack of justice, also creates the risk of excluding important contexts from the digital collections. To develop research methods that take this archival wilfulness into account, in this study I have used speculative design to explore images from Europeana, the digital archive that aggregates data from memory institutions all over Europe. Instead of seeing this archive as something lacking in terms of shared standards and inclusive vocabularies, I suggest we see Europeana as a queer collection of wilful archival practices, by showing the desires and imaginations represented in the archival context. By contrasting the visual content of an image with the metadata that describes the image, the norms and desires in the archival practice come into focus, as the metadata points out what at the time was considered interesting about an image, and the reason the photograph was taken. Images described as ‘Swedes’, for example, rarely show pictures of Swedes in Sweden. Swedes are described as Swedes when they are outside Sweden. It is the exotic and foreign that are categorised. Most importantly, the person who controls the camera is not in the picture, but the choice of perspective and the metadata description of the image tell us something about the photographer’s and archivist’s will and desires. By visually reversing the perspective and making visible both norms and deviations, I show how one can approach this digital heritage with a methodology of feminist wonder.
数字遗产中的欲望与惊奇的视觉方法
文化遗产的数字化为改进研究方法和建立更加多样化、更具包容性的记忆机构带来了希 望。然而,由于元数据的缺陷和不足,很难利用量化可能带来的机遇。不同历史档案做法的标准多样性和随意性在汇总各种来源的数据时造成了问题。为了弥补历史上的不公正,建立更加多样化和包容的记忆机构的雄心壮志,也造成了将重要背景排除在数字藏品之外的风险。为了开发考虑到这种档案故意性的研究方法,在本研究中,我使用了推测性设计来探索 Europeana 的图像,该数字档案馆汇集了来自全欧洲记忆机构的数据。我建议大家不要把这个档案馆看成是一个缺乏共享标准和包容性词汇的地方,而是要把 Europeana 看成是一个肆意档案实践的 "阙如 "集合,通过展示档案语境中所代表的欲望和想象力来实现。通过将图像的视觉内容与描述图像的元数据进行对比,档案实践中的规范和愿望就会成为焦点,因为元数据指出了当时人们认为图像的有趣之处,以及拍摄照片的原因。例如,描述为 "瑞典人 "的照片很少显示瑞典人在瑞典的照片。当瑞典人在瑞典境外时,他们被描述为瑞典人。被归类的是异国人和外国人。最重要的是,控制相机的人并不在照片中,但视角的选择和图像的元数据描述告诉我们一些关于摄影师和档案管理人员的意愿和愿望。通过直观地反转视角,使规范和偏差都清晰可见,我向大家展示了如何用女性主义奇思妙想的方法来处理这些数字遗产。
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来源期刊
Feminist Review
Feminist Review WOMENS STUDIES-
CiteScore
2.40
自引率
5.60%
发文量
19
期刊介绍: Feminist Review is a peer reviewed, interdisciplinary journal setting new agendas for the analysis of the social world. Currently based in London with an international scope, FR invites critical reflection on the relationship between materiality and representation, theory and practice, subjectivity and communities, contemporary and historical formations. The FR Collective is committed to exploring gender in its multiple forms and interrelationships. As well as academic articles we publish experimental pieces, visual and textual media and political interventions, including, for example, interviews, short stories, poems and photographic essays.
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