Plato: Educating through Images

Katerina Bantinaki, Fotini Vassiliou, Anna Antaloudaki, Alexandra Athanasiadou
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Abstract

Abstract:In Book X of the Republic, Plato develops a structured criticism of the images of painting in order to denigrate, by means of analogy, the cognitive value of poetry. Yet Plato persistently employs verbal images at points of utmost importance with regard to his philosophical aims. In the face of Plato’s critique of the image, his methodic use of images can seem paradoxical: critique and method point in opposing directions with regard to the cognitive value of the image. The aim of this article is to promote a moderate cognitivist stance on Plato’s use of verbal images, using to this end the understanding that contemporary philosophy affords us. Operating through the lens of the metaphor of “philosophical paintings,” which they deem as apt and instructive, the authors (a) trace in Book X’s critique of painting the specific properties of the verbal images that can allow a cognitive function in the context of philosophical instruction, (b) examine and refute a pertinent objection to this moderate cognitivist stance, and (c) argue for the overall consistency between the critique of Book X and Plato’s use of verbal images, drawing on evidence in Plato’s practice that he acknowledges the risk of the image’s allure and is proactive in relation to this risk.
柏拉图:通过图像进行教育
摘要:在《共和国》第十卷中,柏拉图对绘画形象进行了有条理的批判,目的是通过类比诋毁诗歌的认知价值。然而,柏拉图却坚持在对其哲学目标至关重要的地方使用语言形象。面对柏拉图对图像的批判,他对图像的有条不紊的使用似乎是自相矛盾的:在图像的认知价值方面,批判和方法的指向是相反的。本文旨在利用当代哲学赋予我们的理解力,对柏拉图使用的语言图像推广一种温和的认知主义立场。作者认为 "哲学绘画 "这一隐喻既贴切又具有启发性,他们通过这一视角(a)在第十卷对绘画的批判中追溯了语言图像在哲学教学中发挥认知功能的具体特性、(b) 研究并反驳对这一温和认知主义立场的相关反对意见,以及 (c) 借助柏拉图实践中的证据,论证第十卷的批判与柏拉图对语言图像的使用之间的整体一致性,即柏拉图承认图像诱惑的风险,并积极应对这种风险。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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