Feel-think: the violin and me. Evelio Tieles and violin teaching in Cuba

Mara Lioba Juan-Carvajal, María Vdovina
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Abstract

Since the seventies of the last century, the methodological component of violin teaching in Cuba took roots in the Russian-Soviet school given by the academic link that favored the exchange of renowned teachers and students between both countries. The experiences, contributions and musings of this exchange and teaching process are collected in a book by the pedagogue Evelio Tieles. Its reading motivated the writing of this article whose objective is to highlight the correlated aspects among the Russian-Soviet school and the methodological principles of the teaching-learning process in Cuba, exposed in the book “Feel-Think: The violin and I”, written by Tieles. For this, analytical-synthetic methods, document analysis and interviews with key informants were combined, which made it possible to identify methodological aspects of the teaching-learning process of the teaching of violin and viola in Cuba that have their foundation located in the Russian-Soviet school.
感受-思考:小提琴与我。埃维里奥-铁列斯与古巴的小提琴教学
自上世纪七十年代起,古巴小提琴教学的方法论就扎根于俄苏学派,这种学术联系有利于两国之间著名教师和学生的交流。这一交流和教学过程中的经验、贡献和思考被收录在教育家埃维里奥-蒂莱斯(Evelio Tieles)的一本书中。阅读这本书是撰写这篇文章的动机,其目的是强调俄罗斯-苏联学派与古巴教学方法原则之间的相关性,这些原则在蒂列斯所著的《感受-思考:我与小提琴》一书中有所体现。为此,我们将分析-综合方法、文献分析和对主要信息提供者的访谈结合起来,从而确定了古巴小提琴和中提琴教学过程中的教学方法,而这些方法的基础正是俄罗斯-苏联学派。
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