Theme with Variations as Mathematical Representation of Fuzzy Sets

Petruța-Maria Coroiu
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Abstract

Artistic representations follow, at a closer look, formal and structural archetypes, which often have a physical and mathematical basis, even if the inspiration frequently transcends the scientific dimension of the construction of the musical discourse. Aware or not, the composers personify in their art archetypal structures which are general and embody the ideals of their expression in one way or another. The organization of musical forms constitutes no exception from this phenomenon which has never been investigated in Romanian musicology: the compatibility between physical and mathematical concepts and significant musical realities. Among the great musical genres and forms, the theme and variations are the closest to one of the elements present in the mathematics of the 20th century: the logic of fuzzy sets (or systems).
作为模糊集数学表示的 "有变化的主题
艺术的表现形式,细看之下,是形式和结构的原型,这些原型往往有物理和数学的基础,即使灵感往往超越了构建音乐话语的科学层面。无论意识到与否,作曲家们在他们的艺术中都将原型结构人格化,这些原型结构具有普遍性,并以这样或那样的方式体现了他们表达的理想。音乐形式的组织也不例外,罗马尼亚音乐学从未对这一现象进行过研究:物理和数学概念与重要音乐现实之间的兼容性。在各种伟大的音乐体裁和形式中,主题和变奏曲与 20 世纪数学中的一个元素--模糊 集(或系统)逻辑--最为接近。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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