The Place of Ekphrasis in the Formation of Architectural Narrative

H. Asar, Serap FAİZ BÜYÜKÇAM
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Abstract

In the architectural design process, the architect(designer) engages in an internal dialogue with themselves, the object of their design, and other stakeholders. This dialogue, in turn, takes place through language and reveals a narrative. Within the architectural design, this language is established through (architectural) representation/ drawing. However, architectural drawing possesses symbolic and semantic layers akin to any language. This study focuses on these layers through “ekphrasis”, which is based on the relationship between visual and verbal representation, and asks: “How does ekphrasis as a method relate to the meaning of architectural drawing, and how does it find a place for itself in the architectural narrative?” In this study, the text-meaning-drawing relationship is examined using the deconstruction method and case study techniques. Therefore, a drawing workshop was conducted utilizing Homer’s Iliad, as it was the first ekphrastic text. The findings are then discussed in relation to the role of ekphrasis in shaping the architectural narrative.
咏物诗在建筑叙事中的地位
在建筑设计过程中,建筑师(设计师)与自己、设计对象以及其他利益相关者进行内部对话。这种对话又是通过语言进行的,并揭示了一种叙事方式。在建筑设计中,这种语言是通过(建筑)表现/绘图来建立的。然而,建筑图纸拥有与任何语言相似的符号和语义层。本研究通过 "ekphrasis "来关注这些层面,"ekphrasis "基于视觉和语言表述之间的关系,并提出以下问题:"作为一种方法,ekphrasis 与建筑绘图的意义有何关系,它又是如何在建筑叙事中找到自己的位置的?在本研究中,我们使用解构法和案例研究技术对文本-意义-绘图之间的关系进行了研究。因此,我们利用荷马的《伊利亚特》开展了一次绘画研讨会,因为这是第一部 "ekphrastic "文本。然后,就 "ekphrasis "在塑造建筑叙事中的作用对研究结果进行了讨论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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