“DOORS” IN A DOLL’S HOUSE AND IBSEN’S THOUGHT OF FREEDOM

Moshiur Rahman Afm
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Abstract

The present study aims at exploring the representation of “Doors” in different places of the whole play. Based on the objectives and the nature of the study, the qualitative research method has been used to conduct the research. Content analyses have been applied to analyze the elicited data for the study. The study has explored that a very significant word “Door” connected to the title of the study was used to signify a number of notable points including welcoming anybody, keeping something secret, forbidding somebody to enter somewhere, forcing someone to stay, getting rid of something boring, something wanted coming, switching concentration, tension and stress regarding the arrival of something unwanted, and opening up a new horizon of freedom. The “Door” slammed by Nora at the very end of A Doll’s House indicates the closing of the door of dependence and opening up a new door, the door of true individuality, learning, maturity, and freedom. Finally, the true thought of Ibsen is found through his search for truth and individuality regardless gender and freedom. Hence, it can be said that the present study will be a great source of literary information for the future researcher in the connected fields.
玩偶之家的 "门 "与伊本森的自由思想
本研究旨在探讨 "门 "在整部剧不同地方的表现形式。根据研究目标和性质,本研究采用了定性研究方法。本研究采用内容分析法对所获得的数据进行分析。研究发现,与研究题目相关的一个非常重要的词 "门 "被用来表示许多值得注意的内容,包括欢迎任何人、保守秘密、禁止某人进入某个地方、强迫某人留下、摆脱无聊的东西、想要的东西到来、转换注意力、因不想要的东西到来而产生的紧张和压力,以及打开新的自由视野。玩偶之家》结尾处诺拉关上的那扇 "门",昭示着依赖之门的关闭和新门的开启,即真正的个性之门、学习之门、成熟之门和自由之门。最后,易卜生不分性别和自由,通过对真理和个性的追求,找到了自己真正的思想。因此,可以说本研究将为未来相关领域的研究人员提供大量的文学信息。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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