Do Self-translating Poets Have Equally Distributed Equivalent Words in the Target and Original texts? A Corpus Examination of Yu Guangzhong’s Poems

Shengnan Li, Hazlina Abdul Halim, Roslina Mamat
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Abstract

This article examines the utilization of high-frequency words in Yu Guangzhong’s self-translated poetry through a corpus-driven analysis. The objective is to explore the presence of equivalence and inequivalence in the translations executed by Yu Guangzhong himself. The utilization of modal verbs, lexical bundles, and keywords has been analyzed in various contexts, such as novels and speeches. However, studies that compare disparities in the use of high-frequency words between the source and target languages within poetry translation are scarce. The original and self-translated poetry corpora of Yu Guangzhong have been constructed at the word level to enhance the original texts’ co-occurrence and corresponding translations. In the comprehensive self-translation of his eighty-five poems, Yu Guangzhong encounters challenges in achieving an equitable distribution of equivalent words between the target and original texts. It is observed that most high-frequency words in Yu Guangzhong’s original and target texts lack equivalence in use and meaning. Although two of the three poems analyzed individually mainly achieve equivalence, this discrepancy might be attributed to the translator’s utilization of literal and word-for-word translations.
自译诗人在目标文本和原文中的对等词分布相同吗?余光中诗歌的语料库研究
本文通过语料库驱动的分析,研究余光中自译诗歌中高频词的使用。目的是探讨余光中自译诗歌中存在的等价和不等价现象。情态动词、词组和关键词的使用已在小说和演讲等不同语境中进行过分析。然而,比较诗歌翻译中源语言和目标语言高频词使用差异的研究却很少。余光中的原诗和自译诗歌语料库在词的层面上进行了构建,以增强原文的共现和相应的译文。在对余光中的八十五首诗歌进行全面自译的过程中,余光中遇到了如何在目标文本和原文之间实现对等词公平分布的挑战。据观察,余光中原文和目标文本中的大多数高频词在用法和意义上都不对等。虽然在单独分析的三首诗歌中,有两首主要实现了对等,但这种差异可能是由于译者采用了直译和逐字翻译。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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