Addressing SDG16.2: Eliminating violence towards children – An applied theatre approach

Moema Gregorzewski, Briar O'Connor, Peter O'Connor
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Abstract

We offer a case study of a long-running Aotearoa New Zealand-based applied theatre programme, Everyday Theatre. As both academics and Everyday Theatre practitioners, we explore how the programme addresses the aspirations of the United Nations’ Sustainable Development Goal (SDG) 16.2, which is centred on eliminating violence towards children. Our reflections are informed by the qualitative data collected in our ongoing discussions as facilitators, our reflective journals, teacher evaluations of the programme, and a series of collaborative research workshops. We investigate the role and place of the drama conventions of teacher-in-role, pre-text, aesthetics, and framing. They are potent constituents of participatory theatre practice that can provoke both students and teachers to collaboratively conceptualise themselves and each other as active, responsible, critical, and empathetic agents for social change. These explorations throw light on how applied theatre practice can form small but significant contributions to engendering opportunities for students and teachers to consider how they could change their own future narratives, creating more socially cohesive local communities, and, in this way, addressing SDG 16.2. Cover image: photo by WOKANDAPIX on Pixabay
实现可持续发展目标 16.2:消除暴力侵害儿童行为--应用戏剧方法
我们对新西兰奥特亚罗瓦长期开展的应用戏剧项目 "日常戏剧 "进行了案例研究。作为学者和 "日常戏剧 "的实践者,我们探讨了该计划如何实现联合国可持续发展目标(SDG)16.2 的愿望,该目标的核心是消除针对儿童的暴力。我们的思考参考了我们作为主持人在持续讨论中收集的定性数据、我们的反思日记、教师对该计划的评价以及一系列合作研究研讨会。我们研究了教师角色、前置文本、美学和框架等戏剧惯例的作用和地位。它们是参与式戏剧实践的有力组成部分,能够激发学生和教师共同将自己和对方构想为积极、负责、批判和富有同情心的社会变革推动者。这些探索揭示了应用戏剧实践如何能够做出微小但重要的贡献,为学生和教师创造机会,让他们考虑如何改变自己的未来叙事,创建更具社会凝聚力的地方社区,并以这种方式实现可持续发展目标 16.2。封面图片:WOKANDAPIX 在 Pixabay 上拍摄的照片
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