Glacial Sensing: Entanglements of Sound and Vision

IF 0.7 Q3 ANTHROPOLOGY
Saadia Mirza
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引用次数: 0

Abstract

What is the relationship between vision and sound in more‐than‐human environmental sensing? This article traces an ethnography of glaciologists' experiences with technological sensing systems that surpass human sensing capabilities, producing an expansion of sensory knowledge that enmeshes both imagery and acoustics. Sound and vision emerge no longer as separate modalities, but in a united vocabulary of sensing in which the human and the machine are collaborators, producing a multi‐eared and multi‐eyed system by which icebergs and glaciers are observed and perceived as a quickly morphing process, rather than as a static object. It examines the manifold aesthetic variations and conversions of data from acoustic sensing systems into sounds and images that work together to reshape the scientific imagination of the cryosphere. This process ultimately reveals how technology changes perceptions and how glaciers, human bodies, and machines become intertwined with each other in a more‐than‐human system that holds the promise to diversify knowledge.
冰川感应:声音与视觉的纠葛
在超越人类的环境感知中,视觉和声音之间的关系是什么?这篇文章追溯了冰川学家使用技术传感系统的人种学经验,这些系统超越了人类的传感能力,扩展了图像和声音的传感知识。声音和视觉不再作为单独的模式出现,而是出现在人类和机器合作的统一传感词汇中,产生了一个多耳多目系统,通过该系统,冰山和冰川被观察和感知为一个快速变形的过程,而不是一个静止的物体。它考察了声学传感系统将数据转化为声音和图像的多种美学变化和转换,这些变化和转换共同重塑了对冰冻圈的科学想象。这一过程最终揭示了技术如何改变人们的认知,以及冰川、人体和机器如何在一个超越人类的系统中相互交织,从而有望实现知识的多样化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.90
自引率
12.50%
发文量
13
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