KEBUDAYAAN SENI BATIK TULIS DARI KACAMATA SOSIOLOGI

Ghebi Parwati, Gymnastiar Tira Wicaksana, Nadilla Putri Agustin
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Abstract

The art of written batik is a representation of Indonesian culture. Written batik as space for the artists, meaning freedom of expression, but still has values attached to each motif. Written batik is a social production, which is formed from the dynamic cultural reconstruction of society. This research aims to explain how written batik production can be categorized as social production, which is collective in nature as a result of cultural reconstruction of society and how the supporting components create the production of batik cloth art. This research is qualitative research with a descriptive approach, using Janet Wolff's theory of social production. The results of the research show that in its production, hand-written batik is essentially a collective production, relying on the division of labor at each stage of the production process. Written batik has developed to this day because of the cultural reconstruction of society. The presence of technology, social institutions and economic factors have made batik cloth production successful in allowing its products to be distributed on a wide scale.
从科学研究的角度看蜡染的社会意义
书面蜡染艺术是印尼文化的代表。书面蜡染作为艺术家的空间,意味着自由表达,但每个图案仍附有价值。书面蜡染是一种社会生产,是在社会动态文化重建中形成的。本研究旨在解释书面蜡染生产如何被归类为社会生产,它是社会文化重建的结果,具有集体性质,以及辅助成分如何创造蜡染布艺生产。本研究采用简妮特-沃尔夫(Janet Wolff)的社会生产理论,以描述性方法进行定性研究。研究结果表明,在生产过程中,手写蜡染基本上是一种集体生产,在生产过程的每个阶段都依赖于分工合作。书面蜡染之所以发展至今,是因为社会的文化重建。技术、社会制度和经济因素的存在使蜡染布生产成功地使其产品得以广泛传播。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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