«Von deutscher Baukunst» di Goethe, agli albori della “Geniezeit” nel segno dell’architettura gotica tedesca

IF 0.1 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN
Erminio Morenghi
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引用次数: 0

Abstract

Through an analysis of Goethe’s essay «Von deutscher Baukunst» this study intends to highlight the programatic value of the same for the first authentically German cultural movement, i.e. the «Storm and Stress». The paradigmatic figure of Erwin von Steinbach, the ingenious architect of Strasbourg Cathedral, sympathetically overshadows that of the medieval architect Eudes de Montreuil, whose re-evaluation is due to André Thevet from a patriotic and idealized Renaissance point of view. This is a curious parallelism in the name of creative genius and it represents the starting point of an important process that was to lead to a German aesthetic and literary renewal intended to overcome foreign models, especially French, and also to a re-evaluation of Gothic architecture in a patriotic and nationalist key.
歌德的 "Von deutscher Baukunst",在德国哥特式建筑标志的 "Geniezeit "黎明之际
本研究通过分析歌德的散文 "Von deutscher Baukunst",旨在强调这篇文章对于第一次真正的德国文化运动(即 "风暴与压力")的纲领性价值。斯特拉斯堡大教堂独具匠心的建筑师埃尔温-冯-忻德巴赫(Erwin von Steinbach)的典范形象令人同情地掩盖了中世纪建筑师尤德斯-德-蒙特勒伊(Eudes de Montreuil)的形象,安德烈-泰维特(André Thevet)从爱国主义和理想化的文艺复兴角度对他进行了重新评价。这是一种以天才创作为名的奇特的平行关系,它代表了一个重要进程的起点,这一进程将导致德国美学和文学的革新,以克服外国模式,尤其是法国模式,同时也将导致以爱国主义和民族主义为基调的对哥特式建筑的重新评价。
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来源期刊
Studia Theodisca
Studia Theodisca LITERATURE, GERMAN, DUTCH, SCANDINAVIAN-
CiteScore
0.10
自引率
0.00%
发文量
9
审稿时长
10 weeks
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