Contemporary techniques of graphic art and its representations

Rana Hazim Saeed
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Abstract

The research tagged (Representations of Contemporary Technologies in Graphic Art) deals with the dialectical relationship between the diversifications of technologies within their temporal developments and the structure of graphic work, especially in our current era and the huge openness of digital technologies and their cultural influences in thought and their functional deliberations in life and their aesthetic representations in art. This faces a cognitive tangle and questions represented in: 1. What is the cognitive space of graphic techniques between the primitive and contemporary edges? 2. How did reproduction replace the original in contemporary circulation? The importance of the research is represented in the following points: 1. The research deals with one of the forms of arts whose historical presence has indicated through time and space. 2. The research seeks to seriously explore the roots of an artistic phenomenon seeking to innovate manifestations of the beautiful always. 3. The research monitors and analyzes the phenomenon of archaeological transition from immanent to transcendental. The boundaries of the research receded between the early days of the spread of digital technologies in the visual arts, including graphics, and the researcher chose the year 1970 to the year 2023 to contain the research problem from its beginnings to its conclusions. Therefore, to the basic indicators reported in the third chapter, which dealt with three distinct models as a research sample, and concluded from its analysis to the results of the research that were discussed in the fourth chapter, and the researcher drew conclusions from them and identified recommendations and proposals.
当代图形艺术技术及其表现形式
研究标签(当代技术在平面艺术中的表现)涉及技术在其时代发展中的多样化与平面作品结构之间的辩证关系,尤其是在当今时代,数字技术的巨大开放性及其对思想文化的影响、对生活的功能性思考以及在艺术中的美学表现。这就面临着一个认知上的纠结和问题,表现在以下几个方面:1.在原始与当代边缘之间,图形技术的认知空间是什么?2.在当代流通中,复制品是如何取代原件的?研究的重要性体现在以下几点:1.研究涉及的是一种艺术形式,其历史存在穿越时空。2.2. 该研究试图认真探索一种艺术现象的根源,这种艺术现象寻求的是对美的表现形式的创新。3.3. 该研究监测并分析了考古学从内在性向超越性过渡的现象。 研究的边界退缩到数字技术在视觉艺术(包括图形)中传播的早期,研究者选择 1970 年到 2023 年来包含研究问题从开始到结束的过程。因此,从第三章报告的基本指标(涉及作为研究样本的三种不同模式)到第四章讨论的研究成果,研究人员从中得出结论并确定了建议和提议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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