Qing Writers Whom Joseon Envoys Met in the Year of Daoguang and Xiangfeng -Focusing on the Data from ‘A Collection of Poetry by the Joseon People(韓客詩存)’-

Hong-mei Jin
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Abstract

Dao Guang(道光, 1821~1850) and Xian Feng(咸豐, 1851~1861) Period of the Qing Dynasty was a time when they faced internal and external conditions. During this period, evidential learning still held a leading position in the Qing Dynasty, but some writers began with a sense of crisis and promoted a useful learning for running a country, which drew support from the court and a favorable response from literature. On the other hand, Song School of Poetry had the greatest influence in literature at the time, and Song School of Poetry’s influence grew even greater with the addition of Tongchengpai writers with similar poetic tendencies. In this paper, the connections, exchanges, and tendencies of Qing writers who directly interacted with Joseon envoys during this period were examined based on changes in the Qing Dynasty’s academic style and literature. It is noteworthy that many of the writers who exchanged with Joseon envoys during this period were from Jinsa, so they had a high level of literature. In addition, it is presumed that many writers had a Suffering consciousness of friendship as they directly or indirectly participated in the Opium War or Taiping Heavenly Kingdom War. In terms of literary trends, it can be divided into Song School of Poetry and Tongchengpai , and in this paper, Zhang mu (1805-1849), who was a historian and had a very close relationship with the key figures of Song Si-pa, examined his academic trends, characteristics of poetry, and exchanges with Koreans. As for the Tongchengpai faction, the characteristics of poetry creation and friendship with Joseon writers were examined, focusing on the Zhu qi (朱琦, 1801~1861). Their academic trends and poetry style are thought to have had a certain influence on Joseon’s writers.
朝鲜使节在道光、咸丰年间会见的清朝作家--以《朝鲜人诗存》资料为中心
道光(1821~1850 年)和咸丰(1851~1861 年)时期的清朝是一个内外交困的时期。这一时期,实证之学在清代仍占据主导地位,但一些文人从危机意识出发,提倡治国有用之学,得到了朝廷的支持和文学界的好评。另一方面,宋诗派在当时的文学界影响最大,随着具有类似诗歌倾向的桐城派作家的加入,宋诗派的影响更大。 本文根据清代学风和文学的变化,对这一时期与朝鲜使节直接交往的清代作家的联系、交流和倾向进行了研究。值得注意的是,这一时期与朝鲜使节进行交流的文人中,有不少人来自金沙,因此他们的文学水平较高。此外,据推测,许多作家直接或间接参与了鸦片战争或太平天国战争,因此具有患难之交的意识。 就文学思潮而言,可分为宋诗派和桐城派,本文以张穆(1805-1849 年)为例,考察了他的学术思潮、诗歌特点以及与朝鲜人的交流情况。至于桐城派,则以朱琦(1801~1861 年)为中心,考察了其诗歌创作的特点以及与朝鲜作家的友谊。他们的学术思潮和诗歌风格被认为对朝鲜作家产生了一定的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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