An Examination of the Characteristics of 1980s Japanese City Pop

Moonsun Kim, Sungkyoo Hong
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Abstract

This research examines the characteristics of Japanese City pop music from the 1980s, which encapsulates the urban sensibility of the era. In essence, it aims to elucidate the significance and implications of 1980s City pop as a popular music genre. The 1970s, which is closely associated with the emergence of City pop, marked a turning point from counterculture to commercial culture, representing a period where the existing musical identity evolved into a new form of music. This transformation can be observed in the music of ‘Happy end’, which captured the fading image of old Tokyo due to Japan's economic development, and it further evolved into Japanese AOR, New music, and eventually City pop. Notably, 1980s City pop can be seen as music that is rooted in the sensibilities of the city and reflects the image of Tokyo during the economic bubble era. This study holds significant importance in examining the birth of City pop influenced by western urbanization in 1980s Japan and its distinctive characteristics as popular music.
对 1980 年代日本城市流行音乐特征的研究
本研究探讨了 20 世纪 80 年代日本城市流行音乐的特点,这些音乐体现了那个时代的城市情感。实质上,它旨在阐明 20 世纪 80 年代城市流行音乐作为一种流行音乐流派的意义和影响。20 世纪 70 年代与城市流行音乐的出现密切相关,它标志着从反主流文化到商业文化的转折点,是现有音乐特征演变为新音乐形式的时期。这种转变可以从 "Happy End "音乐中观察到,它捕捉到了因日本经济发展而逐渐消逝的旧东京形象,并进一步演变为日本的 AOR、New Music,最终发展为 City Pop。值得注意的是,20 世纪 80 年代的城市流行音乐可视为植根于城市情感的音乐,反映了经济泡沫时代的东京形象。本研究对探讨 20 世纪 80 年代日本受西方城市化影响而诞生的城市流行音乐及其作为流行音乐的独特特征具有重要意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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