COMPOSITION OF IMAGES IN THE GENRES OF "OLAN" AND "YOR-YOR" OF UZBEK WEDDING RITUAL FOLKLORE

Guljakhan Amonovna Mardonova
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Abstract

The purpose of research: This article analyzes the use of symbols, similes, similes, exaggerations, and comic art in describing the images of the “olan” and “yor-yor” genres of Uzbek wedding ritual folklore. Research methods: All genres of wedding ceremony songs have a special spirit and, when appropriate, sad nature, cuteness, playfulness, delicate artistry, composition of unrepeatable images, gain a lot of importance in Uzbek folklore. Research results: In the process of analysis, it can be seen that all these songs contain the beliefs of our ancestors, their imaginations and beliefs, their attitude to life, and their dreams. Another important point is that these songs use philosophical observations, beautiful allusions and symbols to portray the characters of the active participants in the wedding ceremony. Practical application: It is worth noting that it is necessary to analyze and deeply understand the essence of all images and symbols reflected in folk songs, their ethnographic-phil - osophical-historical features.
乌兹别克婚礼仪式民俗 "奥兰 "和 "约尔约尔 "流派的图像构成
研究目的:本文分析了乌兹别克婚礼仪式民俗 "奥兰 "和 "约尔-约尔 "流派形象描述中象征、比喻、比拟、夸张和漫画艺术的运用。研究方法:所有流派的婚礼仪式歌曲都具有特殊的精神,在适当的时候,悲伤的性质、可爱、俏皮、细腻的艺术性、不可重复的形象构成在乌兹别克民间文学中获得了很大的重要性。研究成果:在分析过程中可以看出,所有这些歌曲都包含了我们祖先的信仰、他们的想象和信 念、他们对生活的态度以及他们的梦想。另一个重要的问题是,这些歌曲利用哲学观点、美丽的典故和象征来刻画婚礼仪式中积极参与者的性格。实际应用:值得注意的是,有必要分析并深刻理解民歌中反映的所有形象和符号的本质及其民族学-哲学-哲学-历史特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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