Inheritage: Exploring choreographic thought within inherited objects and the mutual transmission of histories

IF 0.2 0 DANCE

Choreographic Practices Pub Date : 2023-12-01 DOI:10.1386/chor_00065_1

Preethi Athreya

引用次数: 0

Abstract

This article is based on a movement practice concerned with the study of objects that are owned, inherited, passed on or lost. Through a choreographic lens, it looks at objects that speak to a cultural and colonial heritage, embodying critical questions of our attachment to ‘belongings’, to ‘belonging’ and to place. How do these objects sit within our bodies? Do they affect the way we carry our physical selves? What are the histories that we inherit together with things? And what of ourselves do we transfer onto the things that surround us. This paper maps a particular choreographic process between 2020 and 2022 passing through the period of the pandemic to look at the role of a movement practice in this transmission.

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传承：探索传承物件中的编舞思想和历史的相互传承

这篇文章以动作实践为基础，关注对拥有、继承、传递或遗失物品的研究。通过舞蹈的视角，它审视了与文化和殖民遗产有关的物品，体现了我们对 "所属物"、"归属 "和地点的依恋的关键问题。这些物品如何融入我们的身体？它们是否会影响我们承载自我的方式？我们与物品一起继承了哪些历史？我们又将自己的哪些特质转移到了周围的事物上？本文描绘了 2020 年至 2022 年期间的一个特殊编舞过程，通过对大流行病时期的描绘，探讨了运动实践在这种传播中的作用。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Choreographic Practices DANCE-

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： Choreographic Practices operates from the principle that dance embodies ideas and can be productively enlivened when considered as a mode of critical and creative discourse. This double-blind peer-reviewed journal provides a platform for sharing choreographic practices, critical inquiry and debate. Placing an emphasis on processes and practices over products, this journal seeks to engender dynamic relationships between theory and practice, choreographer and scholar, so that these distinctions may be shifted and traversed. Choreographic Practices will encompass a wide range of methodologies and critical perspectives such that interdisciplinary processes in performance can be understood as they intersect with other territories in the arts and beyond (for example, cultural studies, psychology, phenomenology, geography, philosophy and economics). In this way, the journal will open up the nature and scope of dance practice as research and draw together diverse bodies of knowledge and ways of knowing to illuminate an emerging and vibrant research area.