Reconfiguration culturelle de la mémoire de l'esclavage et de la traite dans les romans de Léonora Miano, Wilfried N'Sondé et David Diop

V. Porra
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Abstract

Slavery and the slave trade are widespread themes in Caribbean literature, but for a long time they were virtually absent from French-speaking sub-Saharan African literature. In recent years, however, Afropean authors have made it a major theme. Léonora Miano’s La Saison de l’ombre (2013), Wilfried N’Sondé’s Un Océan, deux mers, trois continents (2018) and David Diop’s La Porte du voyage sans retour (2021) offer what Achille Mbembe, in Sortir de la grande nuit (2010), refers to as a “cultural reconfiguration”, specific to “the age of dispersion and circulation”.
莱奥诺拉-米亚诺、威尔弗里德-恩松代和戴维-迪奥普小说中奴隶制和贩卖黑奴记忆的文化重构
奴隶制和奴隶贸易是加勒比文学的普遍主题,但长期以来,撒哈拉以南非洲法语区的文学作品中几乎没有奴隶制和奴隶贸易。然而,近年来,非洲作家将其作为一个重要主题。莱奥诺拉-米亚诺(Léonora Miano)的《夕阳》(La Saison de l'ombre)(2013 年)、威尔弗里德-恩松德(Wilfried N'Sondé)的《一个海洋,两个水域,三块大陆》(Un Océan,deux mers,triis continents)(2018 年)和戴维-迪奥普(David Diop)的《无回程之门》(La Porte du voyage sans retour)(2021 年)提供了阿奇尔-姆本贝(Achille Mbembe)在《Sortir de la grande nuit》(2010 年)中所说的 "文化重组",这是 "分散和流通时代 "特有的。
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