Rereading Afropean Identities through Espérance Hakuzwimana’s Tutta intera

Marco Medugno
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Abstract

This article investigates the term Afropean through an analysis of Espérance Hakuzwimana’s debut novel Tutta intera (2022). It aims to show how the novel, far from losing sight of the national context as the term Afropean implies, effectively mediates issues related to specific localities and temporalities (racist and racial configurations in Italy in the 2010s) and transnational influences (the European and North American experiences of colonialism and slavery). By exploring the intersection of Afropean and Afroitalian, the novel aims to decentre the notion of (white) Europeanness and Italianness while highlighting global articulations of Blackness. Space, language, and class will be key elements to demonstrate how the novel expands the boundaries of Afropean/Afropeanness beyond race to promote a more inclusive and intersectional understanding of the term.
通过埃斯佩朗斯-哈库兹维马纳的《Tutta intera》重读非洲特性
本文通过分析 Espérance Hakuzwimana 的处女作《Tutta intera》(2022 年),对 "非洲裔 "一词进行了研究。文章旨在说明,这部小说非但没有像 "非洲裔 "一词所暗示的那样忽略国家背景,反而有效地调解了与特定地域和时间(2010 年代意大利的种族主义和种族结构)以及跨国影响(欧洲和北美的殖民主义和奴隶制经历)相关的问题。通过探索非洲裔和非洲裔意大利人的交汇点,这部小说旨在淡化(白人)欧洲性和意大利性的概念,同时突出黑人的全球性表达。空间、语言和阶级将是展示这部小说如何将非洲人/非裔的界限扩展到种族之外,从而促进对这一术语的更具包容性和交叉性理解的关键因素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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