Ce qu’il faut dire lorsqu’on est noir·e en Europe Les mots de Léonora Miano et l’afropéanisme sur scène

Donato Lacirignola
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Abstract

In the context of the growing awareness among Afro-descendants of their place in French society, this article examines the way in which Léonora Miano’s multifaceted work invests the notion of Afropéa with a view to thwarting identity assignments and sketching out a post-imperial vision of the world. In Ce qu’il faut dire, staged by Stanislas Nordey in 2021, we see how these issues give rise to the idea of a Poetics of Relation, culminating in a call to recognise the multiple nature of a France that is no longer reduced to its hexagon, but is indeed archipelagic, in order to move beyond the straitjacket of colour.
在欧洲成为黑人意味着什么 莱奥诺拉-米亚诺的话和舞台上的非洲主义
在非洲后裔日益意识到自己在法国社会中的地位的背景下,本文探讨了莱奥诺拉-米亚诺的多面性作品如何将 "非洲 "这一概念融入其中,以挫败身份分配并勾勒出一种后帝国主义的世界观。在 2021 年由 Stanislas Nordey 演出的《Ce qu'il faut dire》中,我们看到了这些问题如何产生了 "关系诗学 "的理念,最终呼吁人们认识到法国的多重性,不再局限于六边形,而是真正的群岛,从而超越肤色的束缚。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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