The Image of Everyday Life in S. Mishnev's Story «Chertoroy»

A. Kochkina
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Abstract

The article considers the representation of everyday life described in the story «Chertoroy» by Vologda writer Stanislav Mishnev; the story was published in the book «That is how we live» in 2008. The relevance of the research lies in the fact that the category «everyday life» initially was studied in non-literary fields of science, and it still does not have a generally accepted definition in philological science, which is of interest to modern specialists studying literature. It is revealed that Mishnev comprehends the private everyday life of Vologda peasants through the prism of social and historical cataclysms and transformations, both recent and significantly distant from today in the story «Chertoroy». In this regard, the image of everyday life in the world of the story is limited locally, but not temporally. In this respect the image of everyday life in the story is limited locally, but not temporally. The writer depicts the modification of the country way of life of the meevites for three centuries. This allowed Mishnev to visualize the origins of the village crisis state at the turn of the XX–XXI centuries. It was also found, that the main oppositions in the reproduction of everyday life in the «Chertoroy» are collective – individual, adaptive – transformative, protective – destructive. It was concluded that the image of dynamically mobile everyday life in Mishnev's story acts as a means of plot organization of the story, as a way of character's description and a tool for conveying the author's values. The novelty of the research lies in the fact that it is the first attempt to analyze the creative heritage of a modern Vologda writer from the perspective of the phenomenon of everyday life.
米什涅夫小说《切尔托罗伊》中的日常生活形象
文章探讨了沃洛格达作家斯坦尼斯拉夫-米什涅夫的小说《切尔托罗依》中描述的日常生活;该小说于 2008 年发表在《我们就是这样生活的》一书中。这项研究的意义在于,"日常生活 "这一范畴最初是在非文学科学领域研究的,而在语言学科学领域至今仍没有一个公认的定义,而这正是研究文学的现代专家所感兴趣的。 米什涅夫在《切尔托罗依》中通过社会和历史灾难与变革的棱镜来理解沃洛格达农民的私人日常生活。因此,故事世界中的日常生活形象具有地域局限性,但不具有时间局限性。在这方面,故事世界中的日常生活形象具有地域局限性,但不具有时间局限性。作家描绘了三个世纪以来梅叶派乡村生活方式的改变。这使得米什涅夫能够直观地看到二十至二十一世纪之交乡村危机状态的起源。 米什涅夫还发现,"切尔托罗伊 "日常生活再现中的主要对立面是集体-个人、适应性-变革性、保护性-破坏性。 研究得出的结论是,米什涅夫故事中动态流动的日常生活形象是故事情节组织的一种手段,是人物描写的一种方式,也是传达作者价值观的一种工具。 这项研究的新颖之处在于,它首次尝试从日常生活现象的角度分析现代沃洛格达作家的创作遗产。
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