The Judiciary’s Theatrical Achilles’ Heel: Acting the Fool (RAF members) compared to Acting in Bad Faith (Alex Jones)

Documenta Pub Date : 2023-12-20 DOI:10.21825/documenta.90036
F. Korsten
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Abstract

This article compares theatrical courtroom provocations by leftist activists and militants in the 1960s and 1970s with recent ‘bad faith’ actions in court by the American right-wing activist Alex Jones. The article proposes that law’s theatrical way of showing a general audience how the judiciary aims to serve justice is annoyed but not threatened by defendants acting the fool. The reason is that acting the fool provokes a confrontation between two different kinds of theater in court. In this confrontation, the agonistic logic of the court case is still operative, with the law embodying power and the accused acting as its carnivalesque challenger. When the accused acts in bad faith, however, there is a double confrontation, namely inside and outside the court. Those acting in bad faith are what Johan Huizinga defines as spoilsports who pretend to play the game while aiming to destroy it. The article considers how the spoilsport manifests itself in and outside of court through contemporary media and concludes that the theatrical nature of the judiciary needs protection in order to do justice to victims.
司法机构的戏剧致命弱点:装傻(英国皇家空军成员)与不诚实行事(亚历克斯-琼斯)的比较
本文比较了二十世纪六七十年代左翼活动家和激进分子在法庭上的戏剧性挑衅行为与最近美国右翼活动家亚历克斯-琼斯在法庭上的 "恶意 "行为。文章认为,法律以戏剧化的方式向普通观众展示司法机构如何以伸张正义为目标,被告的装疯卖傻行为会让人恼火,但不会对其造成威胁。原因在于,"装傻 "引发了法庭上两种不同戏剧之间的对抗。在这种对抗中,法庭案件的激辩逻辑依然有效,法律是权力的化身,而被告则是其狂欢式的挑战者。然而,当被告恶意行事时,就会出现双重对抗,即法庭内外的对抗。那些恶意行事的人被约翰-惠因加(Johan Huizinga)定义为 "破坏者"(spoorsports),他们假装玩游戏,目的却是破坏游戏。文章探讨了 "扫兴者 "如何通过当代媒体在法庭内外表现自己,并得出结论:司法机构的戏剧性质需要保护,以便为受害者伸张正义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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