The Theophania of Apollo: a New Approach to the Proem of Parmenides and the Topography of the Sanctuary of Delphi

Abstract

Abstract The advances that have taken place in recent decades in the investigation of the ritual and topographical structure of the Sanctuary of Delphi have brought to light strong correspondences with the narrative structure of the Proem of Parmenides. These correspondences, of a ritual, topographical and narrative nature, could be a sign that Parmenides’ hymn was composed to be performed in a civic and religious festival of ancient Elea that followed the model of the Theophania of Delphi. In this paper I present the signs and evidence in favour of this thesis, which implies not only a revision of the traditional interpretations of the Proem, but also the possibility of using it as historical evidence to improve our knowledge of the religious festivals held at Delphi. According to this interpretation, the Proem would not describe a katabasis or an anabasis, but the epidemia or arrival of Apollo at Delphi from the land of the Hyperboreans. The narrator would be Apollo (and not Parmenides), and the itinerary of his journey, that of the places and stations of the Theophania procession. This reading also offers a consistent interpretation of the sculptures and inscriptions found in the Insula II of Velia. It is quite likely that the pholarchoi were priests of Apollo, whose ritual consecration took place at the festival for which Parmenides’ hymn was composed.