Laughing Online: Indian Stand-up Comedy as Spectator Sport

IF 1.5 Q2 COMMUNICATION
Maria Saju, Vinod Balakrishnan
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引用次数: 0

Abstract

This paper investigates spectator dynamics in the offline and online performances of stand-up comedians, Vir Das and Kenny Sebastian. It studies the performer–comedian relationship through the media theory of John Fiske and John Hartley, the Rasa Box of Richard Schechner and Group Phenomenon of psychology. Media and performance aspects, such as stage setting, lighting, script, identity, complaisance and techniques, are theorised to arrive at insights into spectatorship in stand-up comedy.
在线欢笑:作为观众运动的印度相声
本文研究了单口相声演员维尔-达斯(Vir Das)和肯尼-塞巴斯蒂安(Kenny Sebastian)线下和线上表演中的观众动态。本文通过约翰-费斯克(John Fiske)和约翰-哈特利(John Hartley)的媒体理论、理查德-舍赫纳(Richard Schechner)的 "拉萨盒子"(Rasa Box)和心理学的 "群体现象"(Group Phenomenon)研究表演者与喜剧演员之间的关系。通过对舞台布置、灯光、剧本、身份、自鸣得意和技巧等媒体和表演方面的理论研究,对单口相声中的观众身份进行深入探讨。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
2.70
自引率
26.70%
发文量
20
期刊介绍: The Journal of Creative Communications promotes inquiry into contemporary communication issues within wider social, economic, marketing, cultural, technological and management contexts, and provides a forum for the discussion of theoretical and practical insights emerging from such inquiry. The journal encourages a new language of analysis for contemporary communications research and publishes articles dealing with innovative and alternate ways of doing research that push the frontiers of conceptual dialogue in communication theory and practice. The journal engages with a wide range of issues and themes in the areas of cultural studies, digital media, media studies, technoculture, marketing communication, organizational communication, communication management, mass and new media, and development communication, among others. JOCC is a double blind peer reviewed journal.
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