{"title":"Toplumsal Farkındalık Bağlamında Afiş Tasarımında Şiddet Kavramı: BIAH Yarışması İncelenmesi","authors":"Orhun Türker","doi":"10.46641/medeniyetsanat.1385157","DOIUrl":null,"url":null,"abstract":"Poster design, which is one of the critical fields of study of graphic arts, stands out with its ability to convey the message about a concept or event to the audience in the fastest and most impressive way. Posters are also preferred as a communication tool to raise awareness on social issues, and nowadays, they are often preferred to fulfill the task of raising awareness and informing with an aesthetic concern. At this point, designers have an essential role in raising awareness and promoting social change with their designs. To reach more people, poster designs are made for many cultural and social topics, and activities related to the problems are carried out. In recent years, it is seen that the activities carried out in order to raise awareness in societies about violence and to prevent violence have come to the fore. Bolu International Poster Design Competition, which is also the subject of the study, can be given as an example of these activities. Bolu International Poster Design Competition has been organized regularly by Bolu Abant İzzet Baysal University since 2020, under the direction of the authors of this paper. The theme of the third competition, discussed in this study and held in 2022, was determined as violence, and many sub-themes were selected. This study aims to reveal how the concept of violence is handled by graphic designers with data. In the study, 303 poster designs that passed the pre-selection as a result of voting among 3041 posters by 24 jury members from 12 countries were examined, and the designs were categorized and analyzed by relating them to the themes. It is thought that this study will contribute to the field by evaluating the sub-theme and interpretation of the concept of violence by graphic designers living in different geographies within the framework of international design activity.","PeriodicalId":509817,"journal":{"name":"Medeniyet Sanat Dergisi","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2023-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Medeniyet Sanat Dergisi","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.46641/medeniyetsanat.1385157","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Poster design, which is one of the critical fields of study of graphic arts, stands out with its ability to convey the message about a concept or event to the audience in the fastest and most impressive way. Posters are also preferred as a communication tool to raise awareness on social issues, and nowadays, they are often preferred to fulfill the task of raising awareness and informing with an aesthetic concern. At this point, designers have an essential role in raising awareness and promoting social change with their designs. To reach more people, poster designs are made for many cultural and social topics, and activities related to the problems are carried out. In recent years, it is seen that the activities carried out in order to raise awareness in societies about violence and to prevent violence have come to the fore. Bolu International Poster Design Competition, which is also the subject of the study, can be given as an example of these activities. Bolu International Poster Design Competition has been organized regularly by Bolu Abant İzzet Baysal University since 2020, under the direction of the authors of this paper. The theme of the third competition, discussed in this study and held in 2022, was determined as violence, and many sub-themes were selected. This study aims to reveal how the concept of violence is handled by graphic designers with data. In the study, 303 poster designs that passed the pre-selection as a result of voting among 3041 posters by 24 jury members from 12 countries were examined, and the designs were categorized and analyzed by relating them to the themes. It is thought that this study will contribute to the field by evaluating the sub-theme and interpretation of the concept of violence by graphic designers living in different geographies within the framework of international design activity.