Tenacious Displacement of Home in Mohamed Dellal’s “When the Wind of the Atlas Blows”

Abdellah El Boubekri
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Abstract

In its drive to valorize narrative heterogeneity and condensed contextualization, Diaspora literary criticism usually places a special accent on the need to listen to underground voices overshadowed by the leading diaspora figures located in the West. It sees that Diaspora is a state of mind that does not necessarily entail physical dislocation for writers to shake the essentialist grip of tradition and the ideological long-established dichotomies. Drawing on this theoretical premise, this article seeks to explore the subversive prospects of writing home in one example of such minority literary work. Mohamed Dellal’s “When the Wind of the Atlas Blows” is a collection of short stories, written in English, that approach the trope of home from the perspective of local diasporic subjects. The narrative positions the present collection creates implicitly question the marginalization of the postcolonial experience of diversity for those who have not indulged the privileges of international migration.
穆罕默德-德拉勒的 "当阿特拉斯的风吹起 "中顽强的家园迁移
散居地文学评论在推崇叙事异质性和浓缩语境的过程中,通常特别强调需要倾听被西方散居地领军人物所掩盖的地下声音。散居地文学批评认为,散居地是一种精神状态,对于作家来说,它并不一定需要物理上的错位来摆脱传统的本质主义控制和意识形态上长期形成的二元对立。在这一理论前提下,本文试图从少数民族文学作品中的一个例子来探讨书写家园的颠覆性前景。穆罕默德-德拉尔的《当阿特拉斯的风吹过》是一部用英语写作的短篇小说集,从当地散居主体的视角切入 "家 "这一主题。对于那些没有享受到国际移民特权的人来说,这本小说集所创造的叙事立场隐含着对后殖民时期多样性经验被边缘化的质疑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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