Margaret Russell, Countess of Cumberland’s Letter to John Layfield: Composing Grief through Consolation and Lamentation

IF 0.6 2区 文学 0 LITERATURE, BRITISH ISLES
Jessica L. Malay
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Abstract

In 1591, Margaret Russell, Countess of Cumberland, wrote an autobiographical letter to her friend and one-time household chaplain, John Layfield, in which she places her grief at the recent death of her five-year-old son within a narrative of her life. Through this letter, she engages in the Renaissance consolatio tradition and other contemporary forms of lament modeled on Christian scripture. She draws upon classical philosophical works such as Boethius’ The Consolation of Philosophy along with other philosophical work as she constructs her narrative. She places her suffering within seventeenth-century providentialism, including reference to a dream that presaged the death of her child. The letter critiques, and ultimately discards, the comforts of the consolatio tradition and even her sense of the providential as means to relieve grief, ultimately rejecting these for an affective plea to the divine. Russell creates a powerful autobiographical narrative of suffering that exposes the limitations of contemporary philosophical and providential discourse in relieving the mental distress experienced by seventeenth-century individuals. An edition of Russell’s letter is included. [J.M.]
坎伯兰伯爵夫人玛格丽特-拉塞尔写给约翰-雷菲尔德的信:通过安慰和哀悼谱写悲伤
1591 年,坎伯兰伯爵夫人玛格丽特-拉塞尔(Margaret Russell)给她的朋友兼家庭牧师约翰-雷菲尔德(John Layfield)写了一封自传体信件,在信中,她将最近五岁儿子去世的悲痛融入了对自己生活的叙述中。通过这封信,她参与了文艺复兴时期的安慰传统以及其他以基督教经文为蓝本的当代哀悼形式。在叙述过程中,她借鉴了古典哲学著作,如波爱修斯的《哲学的慰藉》以及其他哲学著作。她将自己的苦难置于十七世纪的天意论中,包括提到一个预示她孩子死亡的梦。这封信批判并最终抛弃了安慰主义传统中的舒适感,甚至抛弃了她对天意的感知,将其作为缓解悲伤的手段,最终摒弃了这些,转而向神灵发出情感诉求。罗素对苦难进行了强有力的自传式叙述,揭露了当代哲学和天意论述在缓解十七世纪个人精神痛苦方面的局限性。本书附有罗素信件的版本。[J.M.]。
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
28
期刊介绍: English Literary Renaissance is a journal devoted to current criticism and scholarship of Tudor and early Stuart English literature, 1485-1665, including Shakespeare, Spenser, Donne, and Milton. It is unique in featuring the publication of rare texts and newly discovered manuscripts of the period and current annotated bibliographies of work in the field. It is illustrated with contemporary woodcuts and engravings of Renaissance England and Europe.
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