{"title":"How Karlien van Jaarsveld and Refentse Morake became ‘Huisgenote’: a Foucauldian problematisation","authors":"Lestie Hughes","doi":"10.2989/18121004.2023.2278916","DOIUrl":null,"url":null,"abstract":"This article problematises the relative openness or closedness of Afrikaner identity formations manifested in the song and video ‘packages’ of ‘Sing vir Liefde’ (‘Sing for Love’) by Karlien van Jaa...","PeriodicalId":41064,"journal":{"name":"Journal of the Musical Arts in Africa","volume":"33 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2023-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the Musical Arts in Africa","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2989/18121004.2023.2278916","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
This article problematises the relative openness or closedness of Afrikaner identity formations manifested in the song and video ‘packages’ of ‘Sing vir Liefde’ (‘Sing for Love’) by Karlien van Jaa...