{"title":"Sounds of displeasure: a textual and sonic reading of ‘The Masses’ by Ghanaian hiplife artist Sarkodie","authors":"Matthew Eshun","doi":"10.2989/18121004.2023.2291915","DOIUrl":null,"url":null,"abstract":"Protest songs and their utilisation to articulate the sentiments and displeasure of people have most often been studied on a textual level with a focus on the lyrics only. Using ‘The Masses’, a wel...","PeriodicalId":41064,"journal":{"name":"Journal of the Musical Arts in Africa","volume":"319 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2023-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the Musical Arts in Africa","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2989/18121004.2023.2291915","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
Protest songs and their utilisation to articulate the sentiments and displeasure of people have most often been studied on a textual level with a focus on the lyrics only. Using ‘The Masses’, a wel...