Vividness and Spatial Scenes: Four Examples from Heraclitus’ Fragments

IF 0.4 3区 历史学 0 CLASSICS
Kathrin Winter
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引用次数: 0

Abstract

Heraclitus’ fragments employ a powerful literary technique which is used to convey information without giving it directly: the texts appeal to sensation and bodily experience to evoke spatial scenes and so become intuitively comprehensible and display a surprisingly vivid quality. The means to bring this effect about can be analysed and explained with approaches from cognitive studies. This article presents three criteria to analyse vividness in spatial scenes and applies them to four fragments of Heraclitus in order to show how the text makes use of perceptual structures and exploits them to convey information without the recipient noticing it.

生动性与空间场景:赫拉克利特片段中的四个例子
赫拉克利特的片段采用了一种强大的文学技巧,用来传递信息而不直接给出信息:文本诉诸感觉和身体体验来唤起空间场景,从而变得直观易懂,并显示出惊人的生动性。可以用认知研究的方法来分析和解释产生这种效果的手段。本文提出了分析空间场景生动性的三个标准,并将其应用于《赫拉克利特》的四个片段,以说明文本如何利用感知结构,并在接受者不知不觉中传达信息。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
MNEMOSYNE
MNEMOSYNE CLASSICS-
CiteScore
0.50
自引率
0.00%
发文量
50
期刊介绍: Since its first appearance as a journal of textual criticism in 1852, Mnemosyne has secured a position as one of the leading journals in its field worldwide. Its reputation is built on the Dutch academic tradition, famous for its rigour and thoroughness. It attracts contributions from all over the world, with the result that Mnemosyne is distinctive for a combination of scholarly approaches from both sides of the Atlantic and the Equator. Its presence in libraries around the globe is a sign of its continued reputation as an invaluable resource for scholarship in Classical studies.
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