Touches to the iconography of Prince Dmitry A. Golitsyn: the search for portraits

Aleksandr Georgievich Sechin, D. Abdullina
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Abstract

Author consider a number of works that have been identified by various researchers as portraits of D. A. Golitsyn, a prominent statesman of the Russian Empire in the second half of the 18th century. The Prince's interest in art determined his special role in the artistic world of Europe, as well as in the formation of the Hermitage collection and in attracting foreign artists to the country. The subject of research is the connection of existing portrait images with the milestones of the fate of Golitsyn and in the context of interaction with the artistic world of the 18th century. Despite the prince’s close contacts with painters, sculptors, and graphic artists, few portraits of him are currently known. Research method used in the article is the iconographic elucidation of the main features of Prince Golitsyn's appearance, which allow to identify his images. The scientific novelty of the study consists in the systematization of the iconographic series of images of D. A. Golitsyn available today, as a result of which his well-known silhouette portrait turned out to be created by a modern graphic artist I. V. Golitsyn based on an engraving depicting the son of the prince, a priest of the Catholic Church D. D. Golitsyn. The attribution of one of D. A. Golitsyn's portraits from the collection of his daughter's heirs, the German aristocrats Salm-Salm, is recognized as erroneous, since it is a copy of the work of the French painter of the first half of the 18th century from the Coypel family and depicts another person. The circle of absolutely indisputable images of Prince has been determined. Golitsyn, which include sculptural portraits by French artist Marie-Anne Collot, one of which is now in a private collection in Moscow, as well as a profile drawing by her husband Pierre-Etienne Falconet.
德米特里-A.-戈利岑亲王肖像画的润色:寻找肖像画
作者认为一些作品被不同的研究人员认定为 18 世纪下半叶俄罗斯帝国著名政治家 D. A. 戈利岑的肖像。亲王对艺术的兴趣决定了他在欧洲艺术界、冬宫收藏的形成以及吸引外国艺术家来俄罗斯的特殊作用。研究课题是将现有肖像画与戈利岑命运的里程碑以及与 18 世纪艺术界的互动联系起来。尽管这位王子与画家、雕塑家和平面艺术家交往密切,但目前所知的他的肖像画却寥寥无几。文章采用的研究方法是对戈利岑王子外貌的主要特征进行图标阐释,从而识别他的肖像。这项研究的科学新颖性在于对目前可获得的 D. A. 戈利岑的肖像系列进行了系统化,结果发现他著名的剪影肖像是由现代图形艺术家 I. V. 戈利岑根据描绘王子的儿子、天主教会牧师 D. D. 戈利岑的雕刻创作的。D. A. 戈利岑的一幅肖像画出自他女儿的继承人--德国贵族萨尔姆-萨尔姆的收藏,但这幅画的归属被认为是错误的,因为它是 18 世纪上半叶科伊佩尔家族法国画家作品的摹本,描绘的是另一个人。绝对无可争议的王子画像的范围已经确定。戈利岑,其中包括法国艺术家玛丽-安-科洛特(Marie-Anne Collot)的雕塑肖像(其中一幅现在莫斯科的私人收藏中),以及她的丈夫皮埃尔-艾蒂安-法尔科内(Pierre-Etienne Falconet)的侧面素描。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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