Music in the context of teaching about the Church of Augustine of Hippo

Marek Malec
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Abstract

The article presents some of Augustine’s assumptions about church music. Nowadays, his thoughts related to music contained in his philosophical works are widely known and studied. This paper, however, concentrates mainly on his homiletic speeches and speeches delivered on special occasions in which Augustine taught about the Church. In his speeches, Augustine portrayed music as an external sign of the unity and universality of the Church, which were taken care of in the ancient community. The music performed during the Church’s liturgy also became a good example for polemics with pagans and heretics. In Augustine’s opinion, music also supports eschatology well, as it pictures future events in which the worship of God through music will have no end. Many of Augustine’s thoughts referring to the Church and music have been preserved, however the work is limited to only a few of the more interesting examples. The results of the analysis can be compared with the contemporary teaching of the Church on sacred music, which emphasizes, for example, the active participation of the faithful in the liturgy, as well as internal activity–the source of these suggestions is embedded in the ancient Church and reminds us of those theses, among others, recorded in his works and preached by Saint Augustine of Hippo.
希波的奥古斯丁教会教学中的音乐
文章介绍了奥古斯丁关于教堂音乐的一些假设。如今,奥古斯丁哲学著作中有关音乐的思想已广为人知,并被广泛研究。然而,本文主要集中于他的讲道演说和在特殊场合发表的演讲,奥古斯丁在这些演讲中对教会进行了教导。在他的演讲中,奥古斯丁将音乐描绘成教会统一性和普遍性的外在标志,这在古代社会中得到了重视。教会礼仪中演奏的音乐也成为与异教徒和异端论战的良好范例。在奥古斯丁看来,音乐还能很好地支持末世论,因为它描绘了未来的事件,在这些事件中,通过音乐对上帝的崇拜将永无止境。奥古斯丁关于教会和音乐的许多思想都被保留了下来,但这部著作只限于其中几个比较有趣的例子。分析的结果可以与当代教会关于圣乐的教导进行比较,例如,后者强调信徒积极参与礼仪和内部活动--这些建议的源头来自古代教会,并让我们想起希波的圣奥古斯丁在其作品中记录并宣讲的那些论点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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