On Stifling a Transcendental Breath

Q3 Arts and Humanities
Michael Lewis
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Abstract

The article contends that respiratory philosophy has, thus far, laid predominant stress upon the empirical form of breathing, as opposed to the transcendental; or at least it has used breath precisely as an occasion to elide or deconstruct this very opposition. Breath is then conceived primarily as material, bodily, and natural: as binding us together with the animals and with all living things. And yet this apparently benign ecological gesture is not without its deleterious side-effects: by contrasting this gesture with a more humanistic and transcendental conception of breath, inspired by Giorgio Agamben’s work on the voice, we might begin to gain some clarity as to the jarring contrast that sprang up between the friendly valorisation of a shared con-spiration that has characterised this young philosophy up to now, and the intense, even violent, hostility to the breath of the other which the developed world exhibited from at least 2020 to 2022. We consider whether an overly empiricistic conception of breath and of the human might have played a part in this reversal of values. In conclusion, the article urges upon us a certain turn towards the transcendental form of the breath, and indeed to a certain human exceptionalism in this regard.
关于扼杀超凡脱俗的呼吸
文章认为,迄今为止,呼吸哲学主要强调的是呼吸的经验形式,而不是超验形式;或者说,至少呼吸哲学恰恰是利用了呼吸这一契机来消解或解构这种对立。因此,呼吸主要被视为物质的、身体的和自然的:将我们与动物和所有生物联系在一起。然而,这种看似善意的生态姿态并非没有其有害的副作用:通过将这种姿态与受乔治-阿甘本(Giorgio Agamben)关于声音的著作启发而形成的更具人文主义和超越性的呼吸概念进行对比,我们或许可以开始清晰地认识到,这一年轻哲学迄今为止的特点是对共同呼吸的友好珍视,而发达国家至少在 2020 年至 2022 年期间表现出的对他人呼吸的强烈、甚至暴力的敌意,两者之间形成了刺耳的反差。我们认为,过于经验主义的呼吸概念和人类概念是否是造成这种价值观逆转的原因之一。最后,文章呼吁我们转向呼吸的超验形式,甚至在这方面转向某种人类例外论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Poligrafi
Poligrafi Arts and Humanities-Literature and Literary Theory
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