Bridging disciplinary aesthetics: when mathematics meets art through educational technology

IF 1.9 Q2 EDUCATION & EDUCATIONAL RESEARCH
Myrto Karavakou, C. Kynigos, Nathalie Sinclair
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引用次数: 0

Abstract

In this article, we discuss the way students’ aesthetic experiences can shape the learning of mathematics at higher school levels. We designed a learning environment based on three main design principles: (1) Mathematics as Artistic, where mathematics is used for open artistic creation; (2) Aesthetically rich mathematical experiences, that enable students to appreciate mathematical beauty and aesthetic experiences of wondering, imagining, conjecturing, testing, discovering, making connections, problem posing and solving; (3) Constructionism, where mathematical sense making is interwoven with constructing a personally meaningful digital artefact. Two students of the 11th grade participated in a case study, where they used expressive digital resources for representing, manipulating and exploring periodic functions in order to create an animated artefact based on a piece of music. The collected data fed the formation of a theoretical model for analysing students’ aesthetically driven mathematical meaning making, in an attempt to structure existing theoretical concepts around mathematical aesthetics in education. A part of the analysis of students’ aesthetic experiences based on this model is presented and further reflectively discussed with respect to the prospect of an aesthetically oriented curriculum reform.
学科美学的桥梁:当数学通过教育技术与艺术相遇
在本文中,我们将讨论学生的审美体验如何影响高中数学的学习。我们根据三个主要设计原则设计了一个学习环境:(1)数学是艺术的,数学用于开放的艺术创作;(2)丰富的数学审美体验,使学生能够欣赏数学美,并在好奇、想象、猜想、测试、发现、建立联系、提出问题和解决问题中获得审美体验;(3)建构主义,数学感知与建构有个人意义的数字艺术品交织在一起。两名 11 年级的学生参与了案例研究,他们利用表现性数字资源来表示、操作和探 索周期函数,以便根据一段音乐制作一个动画作品。收集到的数据有助于形成一个理论模型,用于分析学生在美学驱动下的数学意义建构,从而尝试构建现有的数学美学教育理论概念。在此模型的基础上对学生的审美体验进行了部分分析,并就以审美为导向的课程改革前景进行了进一步的反思性讨论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Frontiers in Education
Frontiers in Education Social Sciences-Education
CiteScore
2.90
自引率
8.70%
发文量
887
审稿时长
14 weeks
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