Meeting in the Middle: Sociophonetic Convergence of Bad Bunny and J Balvin’s Coda /s/ in Their Artistic Performance Speech

IF 0.9 0 LANGUAGE & LINGUISTICS
Languages Pub Date : 2023-12-14 DOI:10.3390/languages8040287
Elizabeth Naranjo Hayes
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Abstract

The artistic performance of identity by top Latin music artists can be heard on many Top-40 US radio stations, since, as of July 2023, 20% of the Billboard Hot 100 is (Spanish language) Latin music. This study aims to determine the variants found in the pronunciation of coda /s/, a robust phonetic differentiator of regional and social dialects, in the top songs versus in the spontaneous speech of the two top Latin music artists in the global market. Are Bad Bunny and J Balvin holding to the pronunciation of their respective regional variety in their artistic performance speech (APS, my term) or are they shifting to a different pronunciation? What motivations might cause a difference in the pronunciation of their APS and spontaneous speech? Bad Bunny and J Balvin’s pronunciation of coda /s/ is analyzed in depth as sociophonetic data: their performances of songs from 2018 to 2020 that charted at the top of the Hot Latin Songs Billboard chart as well as on The Billboard Hot 100 chart, and their spontaneous speech from their most-viewed Spanish-language interviews and Instagram Live recordings on YouTube recorded between 2018 and 2020. Bad Bunny overwhelmingly used deletions (∅) in his spontaneous speech—which is typical of an island Puerto Rican—but used a statistically significant amount of maintenance of the sibilant [s] and its aspirated variant [h] in his APS (p < 0.0001). J Balvin primarily used [s] in his spontaneous speech—which is typical of Medellín, Colombia—but used about 50/50 [s] and (∅) in his APS. They are both shifting to a different pronunciation in their APS and converging towards each other, and the difference is statistically significant (p < 0.0001). This dialect convergence could be the beginning of an identity-based pan-Latinx dialect leveling that is, on the one hand, the “in-crowd” pronunciation with covert prestige but, on the other hand, is part of the formation of an evolving multi-regional connector variant diffused through popular music and pop culture.
在中间相遇:Bad Bunny 和 J Balvin 的 Coda /s/ 在艺术表演言语中的社会语音融合
截至 2023 年 7 月,美国《公告牌》百大热门音乐中有 20% 是(西班牙语)拉丁音乐,因此,在许多美国 Top-40 电台中都能听到顶级拉丁音乐艺人的身份艺术表演。本研究旨在确定尾音 /s/ 的发音变异情况,尾音 /s/ 是区分地区和社会方言的有力语音标志。Bad Bunny 和 J Balvin 在艺术表演言语(APS,我的术语)中是坚持各自地区的发音,还是转向了不同的发音?是什么动机导致了他们的艺术表演用语和即兴用语在发音上的差异?我们将 Bad Bunny 和 J Balvin 的尾音 /s/ 的发音作为社会语音学数据进行深入分析:他们在 2018 年至 2020 年期间表演的歌曲在《热门拉丁歌曲公告牌》(Hot Latin Songs Billboard)榜单以及《公告牌热门 100 歌曲》(The Billboard Hot 100)榜单中均名列前茅;他们在 2018 年至 2020 年期间在 YouTube 上录制的西班牙语访谈和 Instagram 现场录制的自发语音在浏览量最高。Bad Bunny 在其自发语音中绝大多数使用删除音 (∅)--这是波多黎各岛民的典型特征,但在其 APS 中使用了大量维持咝声[s]及其吸气变体[h](p < 0.0001)。J Balvin 在他的自发言语中主要使用 [s]--这是哥伦比亚麦德林的典型发音--但在他的 APS 中,[s] 和 (∅) 的使用率各占一半。他们在 APS 中都转向了不同的发音,并向对方靠拢,而且差异具有统计学意义(p < 0.0001)。这种方言趋同可能是基于身份认同的泛拉丁语系方言分级的开始,一方面是具有隐蔽声望的 "圈内 "发音,另一方面是通过流行音乐和流行文化传播的不断发展的多地区连接器变体形成的一部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Languages
Languages Arts and Humanities-Language and Linguistics
CiteScore
1.40
自引率
22.20%
发文量
282
审稿时长
11 weeks
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