{"title":"THE SIGNIFICANCE OF THE PROFESSOR HRYHORII LEVCHENKO’S CONDUCTING AND CHORAL ACTIVITIES IN UKRAINIAN CULTURE AND EDUCATION","authors":"N. Demianko","doi":"10.33989/2226-4051.2023.28.293176","DOIUrl":null,"url":null,"abstract":"The article reveals the significance of Professor H. S. Levchenko’s conducting and choral activity in Ukrainian culture and education, its main stages are considered. They are the following: the organization and management of the women’s choir of the Poltava Sewing Factory (1957), the amateur choir “Reshetylivka embroiderers,” the women’s song and dance ensemble at The Palace of Culture of Poltava Cotton and Spinning Factory (1960), the “Horlytsia” choral folk group (1961). The significance of H. S. Levchenko’s creative achievements, participation, and victories in many regional, republican, and international festivals and competitions are emphasized. The peculiarities of the artist’s work with the academic choir chapel of Poltava V. G. Korolenko State Pedagogical Institute (1967), the Ukrainian folk choir “Barvinok” of Poltava meat processing plant (1974) are revealed. It has been determined that the apotheosis of H. S. Levchenko’s conducting and choral activity is the constant artistic direction of the Ukrainian folk choir “Kalyna” (1979-2022). It is analyzed in artistic, pedagogical, and organizational aspects. Attention is focused on the achievement of a high professional and performing level of the group. Its creative achievements and awards, choral repertoire, concert activities, and touring trips are characterized. It is noted that “Kalyna” became a creative laboratory of the Department of Music of Poltava V. G. Korolenko Nation Pedagogical University, where the best traditions of future teacher training were preserved and continued, and the pedagogical ideas of the outstanding Ukrainian teacher, musicologist, conductor, ethnographer, choreographer and composer V. M. Verkhovynets were implemented. Based on the Ukrainian folk choir “Kalyna,” students achieved high-performing vocal-choral, instrumental, and stage skills during several years, enriched themselves spiritually, improved their professional and organizational skills, and deepened their knowledge of musical-aesthetic and national education of the young generation.","PeriodicalId":357387,"journal":{"name":"Aesthetics and Ethics of Pedagogical Action","volume":" 10","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Aesthetics and Ethics of Pedagogical Action","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33989/2226-4051.2023.28.293176","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The article reveals the significance of Professor H. S. Levchenko’s conducting and choral activity in Ukrainian culture and education, its main stages are considered. They are the following: the organization and management of the women’s choir of the Poltava Sewing Factory (1957), the amateur choir “Reshetylivka embroiderers,” the women’s song and dance ensemble at The Palace of Culture of Poltava Cotton and Spinning Factory (1960), the “Horlytsia” choral folk group (1961). The significance of H. S. Levchenko’s creative achievements, participation, and victories in many regional, republican, and international festivals and competitions are emphasized. The peculiarities of the artist’s work with the academic choir chapel of Poltava V. G. Korolenko State Pedagogical Institute (1967), the Ukrainian folk choir “Barvinok” of Poltava meat processing plant (1974) are revealed. It has been determined that the apotheosis of H. S. Levchenko’s conducting and choral activity is the constant artistic direction of the Ukrainian folk choir “Kalyna” (1979-2022). It is analyzed in artistic, pedagogical, and organizational aspects. Attention is focused on the achievement of a high professional and performing level of the group. Its creative achievements and awards, choral repertoire, concert activities, and touring trips are characterized. It is noted that “Kalyna” became a creative laboratory of the Department of Music of Poltava V. G. Korolenko Nation Pedagogical University, where the best traditions of future teacher training were preserved and continued, and the pedagogical ideas of the outstanding Ukrainian teacher, musicologist, conductor, ethnographer, choreographer and composer V. M. Verkhovynets were implemented. Based on the Ukrainian folk choir “Kalyna,” students achieved high-performing vocal-choral, instrumental, and stage skills during several years, enriched themselves spiritually, improved their professional and organizational skills, and deepened their knowledge of musical-aesthetic and national education of the young generation.
文章揭示了 H. S. 列夫琴科教授的指挥和合唱活动在乌克兰文化和教育中的重要意义,并对其主要阶段进行了探讨。它们是:波尔塔瓦缝纫厂女子合唱团的组织和管理(1957 年)、业余合唱团 "Reshetylivka 刺绣者"、波尔塔瓦棉纺厂文化宫女子歌舞团(1960 年)、"Horlytsia "民间合唱团(1961 年)。H. S. 列夫琴科在许多地区、共和国和国际艺术节和比赛中的创作成就、参与和胜利的意义得到了强调。揭示了该艺术家与波尔塔瓦 V. G. 科罗连科国立师范学院学术合唱团小教堂(1967 年)、波尔塔瓦肉类加工厂乌克兰民间合唱团 "Barvinok"(1974 年)合作的特殊性。H. S. 列夫琴科指挥和合唱活动的最高峰是对乌克兰民间合唱团 "Kalyna"(1979-2022 年)的持续艺术指导。本文从艺术、教学和组织方面对其进行了分析。重点关注该合唱团在专业和表演方面达到的高水平。它的创造性成就和奖项、合唱曲目、音乐会活动和巡回演出均有特色。值得注意的是,"Kalyna "已成为波尔塔瓦 V. G. Korolenko 民族师范大学音乐系的创作实验室,在这里,未来教师培训的最佳传统得以保留和延续,乌克兰杰出教师、音乐学家、指挥家、人种学家、编舞家和作曲家 V. M. Verkhovynets 的教学思想得以实现。以乌克兰民间合唱团 "Kalyna "为基础,学生们在几年的时间里获得了高水平的声乐-合唱、器乐和舞台技能,丰富了自己的精神世界,提高了自己的专业和组织能力,加深了对年轻一代音乐审美和民族教育的认识。