Art Education for Social Inclusion and Diverse Communities

Maria Huhmarniemi, M. Hiltunen
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Abstract

Since the 1990s, the exploration of dialogic and educational approaches within the realm of international contemporary art has spurred art educators and scholars to devise strategies that extend beyond the confines of the classroom, and formal education. This direction of art and art education emphasizes a keen awareness of the strengths inherent in communities and localities, encompassing their unique cultures, histories, and meaningful encounters between community members, generations, and diverse cultural minorities (Hiltunen, 2009; Huhmarniemi et al., 2021). Socially engaged art and community-based art education align with dialogic aesthetics, a framework in which art unfolds through an internal dialogue within a community.
艺术教育促进社会包容和多元化社区
自 20 世纪 90 年代以来,国际当代艺术领域对对话和教育方法的探索促使艺术教育工作者和学者设计出超越课堂和正规教育局限的策略。艺术和艺术教育的这一方向强调敏锐地意识到社区和地方固有的优势,包括其独特的文化、历史,以及社区成员、几代人和不同文化少数群体之间有意义的接触(Hiltunen,2009;Huhmarniemi et al.,2021)。社会参与艺术和基于社区的艺术教育与对话美学相一致,在对话美学的框架下,艺术通过社区内部的对话展开。
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