Cause of Death: Lähiö

IF 0.1 3区 艺术学 0 THEATER
Sanni Lindroos
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引用次数: 0

Abstract

As geographically and socially marginalized neighbourhoods, Finnish lähiös are associated with urban segregation and a set of stereotypes about their residents. Claiming to portray everyday life in the lähiö, in 2018, Turku City Theatre premiered a musical theatre production Varissuo, which was set in the city’s largest and most multicultural housing unit. This article investigates how Varissuo was constructed and depicted both on stage and beyond the stage by analyzing several characters and their storylines, as well as material details present in the theatre building’s lobby area. Drawing from Richard Dyer’s notion of stereotypes as a product of assumed consensuses about specific social groups, the article first focuses on plotting how both novelistic and stereotypical characters contributed to an understanding of the lähiö as a locus of ill-being and personal struggle. Critically approaching Jill Dolan’s conceptual utopian performatives, the article then discusses the elements of utopia and dystopia in Varissuo, suggesting that the representation of the lähiö on stage and in the theatre building erased political potential of the utopian performatives and subverted them into a counterproductive force. I argue that the utilization of lähiö stereotypes and Varissuo’s detachment from its real-life origins potentially contributes to further stigmatization and polarization between social groups
死因莱霍
作为地理上和社会上的边缘化社区,芬兰的莱霍区与城市隔离和居民的一系列刻板印象联系在一起。2018年,图尔库城市剧院首演了一部音乐剧作品《瓦里索》(Varissuo),该剧以图尔库最大、最具多元文化特色的住宅区为背景,声称要描绘莱希厄的日常生活。本文通过分析剧中的几个人物及其故事情节,以及剧院建筑大堂区域的物质细节,研究了舞台内外是如何构建和描绘《瓦里索》的。根据理查德-戴尔(Richard Dyer)关于刻板印象是关于特定社会群体的假定共识的产物的概念,文章首先集中探讨了小说人物和刻板印象人物是如何促进人们对莱希欧作为不幸福和个人挣扎之地的理解的。文章批判性地探讨了吉尔-多兰(Jill Dolan)的乌托邦表演概念,然后讨论了《瓦里索》中的乌托邦和乌托邦元素,指出舞台和剧院建筑中的莱希欧形象抹杀了乌托邦表演的政治潜力,并将其颠覆为一种适得其反的力量。我认为,《瓦里索》对 "莱希欧 "刻板印象的利用和脱离现实生活的起源,可能会进一步造成社会群体之间的污名化和两极分化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
17
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