Listening to the Breath, Chanting the Word

Q3 Arts and Humanities
Raquel Ferrández
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Abstract

Clearings of the Forest (Claros del Bosque, 1977), one of the most poetic and challenging works of María Zambrano’s thought, cannot be approached from a breathless paradigm. For the immersion in these clearings take us into the breathing of being that we contemplate alongside the more obvious physiological breathing, the breathing of life. In this work, Zambrano proposes a poetic and mystical phenomenology of the breathing of being through the breathing of its word. Thus, to recover contact with this inner breathing could be to recover the lost chant of the word. This essay does not pretend to be a detailed analysis of Zambrano’s thought as a whole, nor of the vibrant mystery that her clearings reveal. The purpose is to uncover the fundamental role that breathing plays in this poetic-philosophical journey, along with other symbols such as light or love, with the question of what place this type of philosophical exercise occupies today in the classrooms of contemporary universities.
聆听呼吸,吟诵圣言
森林中的空地》(Claros del Bosque,1977 年)是玛丽亚-赞布拉诺思想中最具诗意和挑战性的作品之一,我们不能从呼吸的角度来看待这部作品。因为沉浸在这些空地上,我们会进入一种存在的呼吸,这种呼吸与更明显的生理呼吸,即生命的呼吸一起被我们思考。在这部作品中,桑布拉诺通过文字的呼吸,提出了一种诗意的、神秘的存在呼吸现象学。因此,恢复与这种内在呼吸的联系,可能就是恢复失落的话语吟唱。本文并不打算对赞布拉诺的思想进行整体的详细分析,也不打算对她的清音所揭示的充满活力的奥秘进行分析。本文的目的在于揭示呼吸在这一诗歌哲学旅程中所扮演的基本角色,以及其他象征,如光或爱,并探讨这类哲学练习在当代大学课堂中的地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Poligrafi
Poligrafi Arts and Humanities-Literature and Literary Theory
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