THE CONCEPT OF TIME IN AMERICAN LITERATURE THROUGH THE LENS OF METAMODERN PERCEPTION

Mariia Iliuchenko
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Abstract

Time, as a basic concept of physics and philosophy, being an obligatory coordinate of our world, is present in modern American literature, both as an artistic effect that adorns the narrative, a tool for creating artistic reality, and as a system that changes the way of thinking. The action of the laws of time extends both to a person and to a literary work, but modern literature adapts these laws to fiction needs and experiments with its flow within a work. This article examines the artistic aspects of various concepts of time in modern American literature (starting from the end of XX to its current state) and their influence on the reader through the lens of the transition from postmodern to metamodern philosophical worldview provoked by the actual level of science development, globalization, and digitalization as well as the interaction of human perception of these processes and reactions to them with contemporary literary trends.
从元现代观念的视角看美国文学中的时间概念
时间,作为物理学和哲学的基本概念,作为我们这个世界的必经坐标,出现在美国现代文学中,既是装饰叙事的艺术效果,也是创造艺术现实的工具,还是改变思维方式的系统。时间法则的作用既延伸到人身上,也延伸到文学作品中,但现代文学根据虚构的需要对这些法则进行了调整,并在作品中对其流动进行了实验。本文从科学发展、全球化和数字化的实际水平所引发的后现代哲学世界观向元现代哲学世界观的转变,以及人类对这些进程的感知和反应与当代文学思潮的相互作用的角度,探讨了美国现代文学(从 XX 年代末开始到现在)中各种时间概念的艺术性及其对读者的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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