Dreaming in the Digital Age

Q3 Arts and Humanities
Victor J. Krebs
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引用次数: 0

Abstract

This article explores one way of understanding how digital media are affecting our ability to distinguish reality from fantasy, by reading Bernard Stiegler’s diagnosis of our current cultural crisis, alongside Wilfred Bion’s dream theory. The central claim of the paper is that we can understand the technological pharmakon¬, its both poisonous and therapeutic nature, (specifically of digitized audiovisual communication) in terms of Bion’s definition of dreaming, as the commerce between consciousness and the unconscious (responsible for spontaneity, invention, and the constitution of meaning) negotiated by the “alpha function”. Understanding how the digital impacts our capacity to dream provides us with a tool to counteract its toxicity and to combat the thanatic impulse triggered by technological power. From a binocular point of view – both from Stiegler’s perspective of our technical or “organological” evolution and from Bion’s perspective on the constitution of reality in dreaming – we can begin to see more clearly how to modulate our technological drive, in order to prevent the pharmakon from short-circuiting the very psychic function necessary to distinguish between reality and illusion. The paper ends with a discussion of the algorithmic effects on the living imagination in support of this contention.
数字时代的梦想
本文通过解读伯纳德-斯蒂格勒(Bernard Stiegler)对当前文化危机的诊断以及威尔弗雷德-比昂(Wilfred Bion)的梦幻理论,探讨了理解数字媒体如何影响我们区分现实与幻想的能力的一种方法。本文的核心主张是,我们可以根据比昂对梦的定义来理解技术药剂的毒性和治疗性(特别是数字化视听传播),即 "阿尔法功能 "所协商的意识与无意识(负责自发性、发明和意义的构成)之间的交易。从斯蒂格勒关于我们技术或 "有机体 "进化的视角,以及比昂关于梦境中现实构成的视角这两个视角出发,我们可以更清楚地看到如何调节我们的技术驱动力,以防止 "药剂 "短路,从而避免区分现实与幻觉所需的心理功能。本文最后讨论了算法对活生生的想象力的影响,以支持这一论点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Poligrafi
Poligrafi Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
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