Time to Document

IF 0.5 3区 艺术学 0 MUSIC
A. Vesey
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引用次数: 0

Abstract

In recent years, Björk has defied pop music criticism’s persistent myth of male genius by asserting her authorship as a singer, songwriter, composer, and producer. She expressed these concerns during a 2015 Pitchfork interview with Jessica Hopper by reflecting on the press’s minimization of her production work throughout her career and her desire to reclaim her creative authority as a model for younger female-identified artists. During this portion of the conversation, she mused, “I’ve sometimes thought about releasing a map of all my albums and just making it clear who did what.” Her impulse to challenge masculinist creation myths through documentation became the catalyst for Björk: Sonic Symbolism, a 2022 podcast miniseries sponsored by Mailchimp in which she discussed her albums’ creative processes with friends Oddný Eir and Ásmundur Jónson in a series of interviews. The title, which Björk defines as “a visual shortcut to describe sound,” provides the podcast’s framework for her articulation of authorial control, which she examines through album art that illustrates each cover’s mood and character; poetic synopses of each album’s unique audiovisual language; and references to her various studio, video, and stage collaborators. By using close listening to examine Björk’s conversations with Eir and Jónson and the episodes’ illustrative song segments, this article posits that Björk’s engagement with podcasting as an audio storytelling medium allows her to foreground her distinct speaking and singing voice as both a feminist intervention upon the recording industry and as a sonic metaphor for authorial control.
记录时间
近年来,Björk打破了流行音乐评论家对男性天才的持久神话,坚持自己作为歌手、词曲作者、作曲家和制作人的身份。2015年,她在Pitchfork接受杰西卡·霍珀(Jessica Hopper)采访时表达了这些担忧,她反思了媒体在她的整个职业生涯中对她的制作工作的最小化,以及她希望重新获得作为年轻女性艺术家榜样的创作权威。在谈话的这段时间里,她若有所思地说:“我有时想发布一张我所有专辑的地图,让大家清楚地知道谁做了什么。”她通过记录挑战男性主义创造神话的冲动成为了2022年由Mailchimp赞助的播客迷你系列节目Björk: Sonic Symbolism的催化剂,在节目中,她与朋友Oddný Eir和Ásmundur Jónson在一系列采访中讨论了她专辑的创作过程。这个标题被Björk定义为“描述声音的视觉捷径”,为她表达作者的控制提供了播客的框架,她通过专辑封面来说明每个封面的情绪和角色;每张专辑独特的视听语言的诗意概要;以及她的各种工作室,视频和舞台合作者的参考资料。通过仔细聆听Björk与Eir和Jónson的对话,以及剧集的歌曲片段,本文认为Björk将播客作为一种音频讲故事的媒介,使她能够突出自己独特的说话和唱歌的声音,既是女权主义者对唱片行业的干预,也是作者控制的声音隐喻。
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
37
期刊介绍: Journal of Popular Music Studies is a peer-reviewed journal dedicated to research on popular music throughout the world and approached from a variety of positions. Now published four times a year, each issue features essays and reviews, as well as roundtables and creative works inspired by popular music.
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