The development of the technical aesthetic in Saudi digital arts design

Tahani Mohammed Nasser Al-Arifi
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Abstract

Using a historical, descriptive, and analytical approach, the study aimed to identify design in digital art in the Kingdom of Saudi Arabia, its practitioners, and digital art methodologies. Because of fast expansion, cultural development, and the introduction of digital photography equipment during the last two decades, digital art design has blossomed in the Kingdom of Saudi Arabia. In Saudi Arabia, the computer invaded the realm of fine arts. In the beginning, digital art appeared in Saudi Arabia for purely commercial purposes, commercial artistic goals, or marketing purposes, whether they were the arts of printing, design, and advertising, followed by the arts of photography, drawing, fine art, and sculpture. Modern drawing and design software have enabled creativity and invention, and digital art appears to have been inspired by the direction of this art in Saudi Arabia and worldwide. He was initially rejected from other countries, but he was able to find a place for himself on the Saudi art scene, and he was able to make a presence at the forum, as well as at various exhibitions, and digital art in Saudi Arabia, despite its reliance on the computer as a tool for producing artistic designs, but the viewer feels the difference between a designer, and others in creative expression, the subject of the design, and the color circle that differed from one another, regarding the incorporation of traditional media into digital design; certain works by the Saudi digital art group inclined towards contemporary trends, creativity, and guessing, while others tended towards sensuality, and yet others depended on hazy intuition and slow completion. And they were united in carrying an authentic event, beautiful visions, and a design will that was touched in their designs through their methods as artistic symbols, and suggestive abstractions inspired by the nature of the Kingdom of Saudi Arabia's ancient heritage, and an affirmation of Saudi identity, and geometric shapes of the Saudi style with the vocabulary of the Saudi cultural heritage of the Najdi style and the Arabic Gulf style, Red Sea Basin style, Sarat style
沙特数字艺术设计技术美学的发展
本研究采用历史、描述和分析的方法,旨在确定沙特阿拉伯王国的数字艺术设计、其从业者和数字艺术方法。在过去的二十年里,由于快速的扩张、文化的发展和数码摄影设备的引入,数字艺术设计在沙特阿拉伯王国蓬勃发展。在沙特阿拉伯,计算机侵入了美术领域。一开始,数字艺术出现在沙特阿拉伯纯粹是出于商业目的、商业艺术目标或营销目的,无论是印刷、设计和广告艺术,随后是摄影、绘画、美术和雕塑艺术。现代绘画和设计软件使创造力和发明成为可能,数字艺术似乎受到了沙特阿拉伯和世界范围内这种艺术方向的启发。他最初拒绝了来自其他国家,但他能够为自己找个地方沙特艺术,他能出现在论坛上,以及在各种展览、和数字艺术在沙特阿拉伯,尽管它依赖电脑艺术设计作为生产工具,但观众感觉设计师的区别,和其他创造性表达,设计的主题,和不同的色环,关于传统媒体与数字设计的结合;沙特数字艺术团体的一些作品倾向于当代潮流、创造力和猜测,而另一些则倾向于感性,还有一些则依赖于模糊的直觉和缓慢的完成。他们团结在一起,传递一个真实的事件,美丽的愿景,和设计的意志,通过他们的设计方法,作为艺术符号,和暗含的抽象,灵感来自沙特阿拉伯王国的古老遗产的本质,以及对沙特身份的肯定,沙特风格的几何形状与沙特文化遗产的词汇Najdi风格和阿拉伯海湾风格,红海盆地风格,萨拉特风格
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