Mocking while working with problematic representations: The irony of ethnographic sensibility in Indonesia

Q1 Arts and Humanities
Geger Riyanto
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引用次数: 0

Abstract

In this essay, I contemplate the value of ethnography by reflecting on my experience and that of other anthropology-trained individuals who engage with public socio-ecological issues in Indonesia. While these issues are portrayed as urgent and are packaged with established representations of people and communities, ethnographic engagement produces representations that are at odds with them. Nevertheless, anthropology-trained individuals in Indonesia have no way to address these issues other than to work with institutions that produce the problematic representations, and in doing so, inadvertently contribute to their reproduction. Furthermore, the academic anthropology ecosystem does not support the exhaustive exploration of these issues. Eventually, the sensibility generated by the practice of ethnography becomes more of a latent sensibility, which is critical of the predominant representations. It evokes internal conflict and a sense of irony, which most of the time cannot be expressed or practically addressed.

一边嘲笑,一边处理有问题的表述:印度尼西亚民族志感性的讽刺意味
在这篇文章中,我通过反思我的经验和其他在印度尼西亚从事公共社会生态问题的受过人类学训练的个人的经验来思考民族志的价值。虽然这些问题被描述为紧迫的,并与人们和社区的既定代表包装在一起,但民族志参与产生的代表与他们不一致。然而,在印度尼西亚,受过人类学训练的个人除了与产生问题表征的机构合作之外,没有办法解决这些问题,这样做无意中助长了它们的繁殖。此外,学术人类学生态系统并不支持对这些问题进行详尽的探索。最终,由民族志实践产生的感性更多地成为一种潜在的感性,这是对主流表现的批判。它唤起了内心的冲突和一种讽刺的感觉,而这在大多数时候是无法表达或实际解决的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Anthropology and Humanism
Anthropology and Humanism Arts and Humanities-Literature and Literary Theory
CiteScore
1.00
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0.00%
发文量
43
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