The Phenomenon of Sword Dancing in Europe. Cultural-historical contexts

Katarína Slobodová Nováková, Michaela Grznárová, Mária Lujza Kovalčíková, Laura Vasiliauskaité, Agáta Petrakovičová
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Abstract

Sword dances belong to the oldest layers of dance culture. The origin of these dances, which can be described as a phenomenal manifestation of dance culture in almost the whole of Europe, unfortunately cannot be reduced to a single genetic basis. It goes without saying that such dancing would not still exist today without its bearers. Sword dancing has been gradually modified in some countries, losing its ceremonial function or its connection to the calendar cycle, and being transformed into a theatrical form; in some countries it is now only maintained by small groups of dancers as a social occasion. The tradition of sword dancing is a unique example of Europe‘s intangible cultural heritage. The ancient chain and circle form of the dance is an element common to European countries, apart from the connection with the carnival season. The dance itself has its own specific features – dance patterns, costumes, clothing accesories, and props, which are unique components of the dance that point to its archaic character. The aim of the study is to document these dances, identifying the characteristic features and common expressions across almost all of Europe, or in the countries where they have been documented.
欧洲的舞剑现象。文化历史背景
剑舞属于最古老的舞蹈文化。这些舞蹈的起源可以被描述为几乎整个欧洲舞蹈文化的一种现象表现,不幸的是,它不能被简化为单一的遗传基础。不用说,如果没有它的承担者,这种舞蹈今天就不会存在。剑舞在一些国家逐渐被修改,失去了它的仪式功能或与历法周期的联系,变成了一种戏剧形式;在一些国家,它现在只由一小群舞者作为一种社交场合来维持。剑舞的传统是欧洲非物质文化遗产的独特范例。除了与狂欢节有关外,古老的链条和圆圈形式的舞蹈是欧洲国家共同的元素。舞蹈本身有其特定的特征——舞蹈模式、服装、服装配件和道具,这些都是舞蹈的独特组成部分,表明了其古老的特征。这项研究的目的是记录这些舞蹈,确定几乎整个欧洲或记录这些舞蹈的国家的特征和共同表达。
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